MARC details
| 000 -LEADER |
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| fixed length control field |
05163cam a2200421 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
ocn911517923 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20180722223057.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
150602s2015 vtua b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2015010861 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
YDXCP |
| -- |
BTCTA |
| -- |
BDX |
| -- |
OCLCF |
| -- |
NYP |
| -- |
VP@ |
| -- |
UPM |
| -- |
NFG |
| 019 ## - |
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| -- |
902021234 |
| -- |
934146509 |
| -- |
942576583 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781620554197 (paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1620554194 (paperback) |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)911517923 |
| Canceled/invalid control number |
(OCoLC)902021234 |
| -- |
(OCoLC)934146509 |
| -- |
(OCoLC)942576583 |
| 041 1# - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| Language code of original and/or intermediate translations of text |
fre |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
612.78 |
| Item number |
C141 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Calais-Germain, Blandine, |
| Relator term |
author. |
| 9 (RLIN) |
310253 |
| 240 10 - UNIFORM TITLE |
|---|
| Uniform title |
<a href="Anatomie pour la voix.">Anatomie pour la voix.</a> |
| Language of a work |
English |
| 245 10 - TITLE STATEMENT |
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| Title |
Anatomy of voice : |
| Remainder of title |
how to enhance and project your best voice / |
| Statement of responsibility, etc |
Blandine Calais-Germain, François Germain ; translated by Martine Curtis-Oakes. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First U.S. edition |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
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| Place of production, publication, distribution, manufacture |
Rochester, Vermont : |
| Name of producer, publisher, distributor, manufacturer |
Healing Arts Press, |
| Date of production, publication, distribution, manufacture |
2016. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
303 pages : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
26 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier Type Term |
volume |
| Source |
rdacarrier |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
"An illustrated guide to the dynamic physiological structures that create and individualize the voice. Explores the structures of the vocal tract and their functional relationships to the entire musculoskeletal system with detailed drawings. Examines the components of the larynx and pharynx, the effects of muscular tensions on the vocal cords, the importance of skeletal alignment, and the complex roles of the diaphragm, soft palate, lips, and tongue in vocalization. Provides exercises and techniques for increased air flow, correct posture, proper tongue position, jaw relaxation, and toning of the soft palate to improve the voice. When we use the voice, we involve the entire body. Our internal balance, muscular tone, skeletal alignments, soft tissue flexibility, and even our eye movements are reflected in the voice we project to our audience, whether one person or thousands. Using the signature anatomical style of Blandine Calais-Germain's groundbreaking book Anatomy of Movement, this illustrated guide presents a dynamic, integrated study of the physical structures of the vocal tract and their functional relationships to the entire musculoskeletal system. From the individual bones and muscles of the head and neck to the intricate structure of the shoulders to the abdominal muscles and pelvis, the authors explain how each part of the body moves, flexes, vibrates, and supports the creation and individualization of the voice. With detailed drawings and clear, concise text, they examine the individual components of the larynx and pharynx, the effects of muscular tensions on the vocal cords, proper alignment of the skull, rib cage, and pelvis, the intimate relationship between breath and voice, and the complex roles of the diaphragm, soft palate, lips, and tongue in vocalization. They provide simple exercises and techniques for increasing air flow and force, correct posture, proper positioning of the tongue, relaxation of the jaw, and toning of the soft palate. Whether singer, teacher, actor, lawyer, politician, or workshop leader, this book reveals how understanding your vocal anatomy enables you to express your best voice"-- |
| Assigning source |
Provided by publisher. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"An illustrated guide to the dynamic physiological structures that create and individualize the voice"-- |
| Assigning source |
Provided by publisher. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages 296-297) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Machine generated contents note: 1. Introduction -- Some Rules for Describing Movement -- The Vocal Apparatus -- The Moving Body (Including Static Posture), Breathing Body, and Vocal Body -- 2. The Skeleton of the Voice -- The Spine: The Link between the Trunk, Neck, and Head -- The Three Major "Blocks": Pelvis, Rib Cage, Head -- The First Major Block: The Pelvis -- The Second Major Block: The Rib Cage -- the Transformable Block -- The Third Major Block: The Head -- the Vocal Skull -- 3. The Generator -- Introduction -- The Two Cavities -- The Organs of Respiration and the Surrounding Area -- The Muscles of Respiration and the Voice -- The Expiratory Muscles: The Muscles That Produce the Vocal Breath -- The Inspiratory Muscles -- The Postural Muscles: Support for the Generator -- 4. The Larynx -- The Larynx: The Source of Voice -- The Laryngeal Cartilages -- Ligaments and Membranes -- The Laryngeal Joints -- The Intrinsic Muscles of the Larynx -- The Laryngeal Mucosa -- The Three Levels of the Larynx -- The Extrinsic Muscles of the Larynx -- 5. The Vocal Tract -- The Vocal Tract in the Neck -- The Pharynx -- The Mouth -- The Soft Palate -- The Tongue -- The Lips -- The Nose and the Nasal Cavities -- The Ears -- 6. Some Terms Used in the Vocal Professions -- Matter -- Gas and Pressure -- From Pressure to Sound -- Pitch, Intensity, and Duration of Sound -- Timbre. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Voice |
| General subdivision |
Physiological aspects. |
| 9 (RLIN) |
310254 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Human mechanics. |
| 9 (RLIN) |
310255 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Germain, François, |
| Relator term |
co-author. |
| 9 (RLIN) |
310256 |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
