MARC details
000 -LEADER |
fixed length control field |
03424cim a2200445Ki 4500 |
001 - CONTROL NUMBER |
control field |
ocn965918480 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20190609235704.0 |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
sd fungnnmmneu |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
161214s2017 nyunnnng z n eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
BLACP |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
BLACP |
Modifying agency |
OCLCO |
-- |
TOH |
-- |
TEF |
-- |
OCLCF |
-- |
TEFMT |
-- |
OCL |
-- |
NFG |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1427282862 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781427282866 |
028 02 - PUBLISHER NUMBER |
Publisher number |
40c5r9 |
Source |
Blackstone Audiobooks |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)965918480 |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us-ia |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
Darnielle |
Item number |
John |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Darnielle, John, |
Relator term |
author, |
-- |
narrator. |
9 (RLIN) |
248748 |
245 10 - TITLE STATEMENT |
Title |
Universal harvester : |
Remainder of title |
a novel / |
Statement of responsibility, etc |
John Darnielle. |
250 ## - EDITION STATEMENT |
Edition statement |
Unabridged. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
New York, NY : |
Name of producer, publisher, distributor, manufacturer |
Macmillan Audio, |
Date of production, publication, distribution, manufacture |
[2017] |
300 ## - PHYSICAL DESCRIPTION |
Extent |
5 audio discs (6 hr.) : |
Other physical details |
CD audio, digital ; |
Dimensions |
4 3/4 in. |
306 ## - PLAYING TIME |
Playing time |
060000 |
336 ## - CONTENT TYPE |
Content Type Term |
spoken word |
Content Type Code |
spw |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
audio |
Media Type Code |
s |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
audio disc |
Carrier Type Code |
sd |
Source |
rdacarrier |
344 ## - SOUND CHARACTERISTICS |
Type of recording |
digital |
Recording medium |
optical |
Source |
rda |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
audio file |
Encoding format |
CD audio |
Source |
rda |
511 0# - PARTICIPANT OR PERFORMER NOTE |
Participant or performer note |
Read by the author. |
500 ## - GENERAL NOTE |
General note |
Compact discs. |
520 ## - SUMMARY, ETC. |
Summary, etc |
Jeremy works at the counter of Video Hut in Nevada, Iowa. It's a small town--the first "a" in the name is pronounced ay--smack in the center of the state. This is the late 1990s, pre-DVD, and the Hollywood Video in Ames poses an existential threat to Video Hut. But there are regular customers, a predictable rush in the late afternoon. It's good enough for Jeremy: it's a job; it's quiet and regular; he gets to watch movies; he likes the owner, Sarah Jane; it gets him out of the house, where he and his dad try to avoid missing Mom, who died six years ago in a car wreck. But when Stephanie Parsons, a local schoolteacher, comes in to return her copy of Targets, starring Boris Karloff--an old movie, one Jeremy himself had ordered for the store--she has an odd complaint: "There's something on it," she says, but doesn't elaborate. Two days later, Lindsey Redinius brings back She's All That, a new release, and complains that there's something wrong with it: "There's another movie on this tape." So Jeremy takes a look. And indeed, in the middle of the movie the screen blinks dark for a moment and She's All That is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, She's All That is back. But there is something profoundly disturbing about that scene; Jeremy's compelled to watch it three or four times. The scenes recorded onto Targets are similar, undoubtedly created by the same hand. Creepy. And the barn looks a lot like a barn just outside of town. Jeremy doesn't want to be curious. In truth, it freaks him out, deeply. This has gone far enough, maybe too far already. But Stephanie is pushing, and once Sarah Jane takes a look and becomes obsessed, there's no more ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Video tapes |
Form subdivision |
Fiction. |
9 (RLIN) |
325253 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Murder |
Form subdivision |
Fiction. |
9 (RLIN) |
1034 |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
Iowa |
Form subdivision |
Fiction. |
9 (RLIN) |
48794 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Horror fiction. |
Source of term |
lcgft |
9 (RLIN) |
203 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Audiobooks. |
Source of term |
lcgft |
9 (RLIN) |
1862 |
710 2# - ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Macmillan Audio (Firm) |
9 (RLIN) |
136100 |
994 ## - |
-- |
C0 |
-- |
NFG |