MARC details
| 000 -LEADER |
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| fixed length control field |
04665cam a2200349 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
ocn961008238 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20180722224928.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
170524t20172017nyuaf b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2017008573 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
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BDX |
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AZZPT |
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OCLCO |
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OCLCF |
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SINLB |
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JAI |
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YDX |
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OCLCO |
| -- |
OCL |
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INR |
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NUI |
| -- |
YUS |
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CSAIL |
| -- |
NFG |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781594206719 |
| Qualifying information |
hardcover |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1594206716 |
| Qualifying information |
hardcover |
| 024 8# - OTHER STANDARD IDENTIFIER |
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| Standard number or code |
40027281290 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)961008238 |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
791.4372 |
| Item number |
A292 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Aikman, Becky, |
| Relator term |
author. |
| 9 (RLIN) |
338094 |
| 245 10 - TITLE STATEMENT |
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| Title |
Off the cliff : |
| Remainder of title |
how the making of Thelma & Louise drove Hollywood to the edge / |
| Statement of responsibility, etc |
Becky Aikman. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Penguin Press, |
| Date of production, publication, distribution, manufacture |
2017. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Date of production, publication, distribution, manufacture |
©2017 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
305 pages, 16 unnumbered pages of plates : |
| Other physical details |
color illustrations ; |
| Dimensions |
25 cm |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references (pages [273]-294) and index. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
""You've always been crazy," says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. "This is just the first chance you've had to express yourself." In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film's place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential.With Scott on board, a team willing to challenge the odds came together--including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.--to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives--lives like hers--in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her--she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day"-- |
| Assigning source |
Provided by publisher. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Machine generated contents note: |
| Miscellaneous information |
ch. 1 |
| Title |
Once In Ten Lifetimes -- |
| Miscellaneous information |
ch. 2 |
| Title |
Prostitutes And Empty-Headed Blondes -- |
| Miscellaneous information |
ch. 3 |
| Title |
"Next! Next!" -- |
| Miscellaneous information |
ch. 4 |
| Title |
Wielding A Graceful Cleaver -- |
| Miscellaneous information |
ch. 5 |
| Title |
Tits And Bullets -- |
| Miscellaneous information |
ch. 6 |
| Title |
Unlikable -- |
| Miscellaneous information |
ch. 7 |
| Title |
The Epic In Ridley Scott's Head -- |
| Miscellaneous information |
ch. 8 |
| Title |
D-Girls -- |
| Miscellaneous information |
ch. 9 |
| Title |
Playing A Different Game -- |
| Miscellaneous information |
ch. 10 |
| Title |
The Right Man For The Job -- |
| Miscellaneous information |
ch. 11 |
| Title |
The Curse Of Katherine -- |
| Miscellaneous information |
ch. 12 |
| Title |
Who's Playing Whom? -- |
| Miscellaneous information |
ch. 13 |
| Title |
"Good Luck, Honey!" -- |
| Miscellaneous information |
ch. 14 |
| Title |
A Fresh Eye On America -- |
| Miscellaneous information |
ch. 15 |
| Title |
Real Characters -- |
| Miscellaneous information |
ch. 16 |
| Title |
"The Blond One!" -- |
| Miscellaneous information |
ch. 17 |
| Title |
The Girls In The Thunderbird -- |
| Miscellaneous information |
ch. 18 |
| Title |
Hot As A Pistol -- |
| Miscellaneous information |
ch. 19 |
| Title |
Bad Boys -- |
| Miscellaneous information |
ch. 20 |
| Title |
The Kid Enters The Picture -- |
| Miscellaneous information |
ch. 21 |
| Title |
What The Fuss Is About -- |
| Miscellaneous information |
ch. 22 |
| Title |
Owning The Road -- |
| Miscellaneous information |
ch. 23 |
| Title |
Something's Crossed Over -- |
| Miscellaneous information |
ch. 24 |
| Title |
Ready, Steady, Blow -- |
| Miscellaneous information |
ch. 25 |
| Title |
Off The Cliff -- |
| Miscellaneous information |
ch. 26 |
| Title |
Keep On Flying -- |
| Miscellaneous information |
ch. 27 |
| Title |
Massacre At The Multiplex -- |
| Miscellaneous information |
ch. 28 |
| Title |
The Snowball Effect -- |
| Miscellaneous information |
ch. 29 |
| Title |
Who Killed Thelma And Louise? -- |
| Miscellaneous information |
ch. 30 |
| Title |
A Film Of Their Own. |
| 630 00 - SUBJECT ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Thelma & Louise (Motion picture) |
| 9 (RLIN) |
100850 |
| 994 ## - |
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| -- |
C0 |
| -- |
NFG |
