MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03485cam a2200325Ii 4500 |
| 001 - CONTROL NUMBER |
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| control field |
ocn975021848 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20190610001834.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
170315s2017 ohu 000 e eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
YDX |
| Modifying agency |
BDX |
| -- |
CDX |
| -- |
JOZ |
| -- |
BKL |
| -- |
NYP |
| -- |
OCLCF |
| -- |
CZA |
| -- |
HF9 |
| -- |
OCL |
| -- |
VP@ |
| -- |
GK8 |
| -- |
NFG |
| 019 ## - |
|---|
| -- |
974984505 |
| -- |
975108453 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781937512651 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1937512657 |
| Qualifying information |
(paperback) |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)975021848 |
| Canceled/invalid control number |
(OCoLC)974984505 |
| -- |
(OCoLC)975108453 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
|---|
| Classification number |
814.6 |
| Item number |
W734 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Willis-Abdurraqib, Hanif, |
| Relator term |
author. |
| 9 (RLIN) |
348186 |
| 240 10 - UNIFORM TITLE |
|---|
| Uniform title |
<a href="Essays.">Essays.</a> |
| Form subheading |
Selections |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
They can't kill us until they kill us : |
| Remainder of title |
essays / |
| Statement of responsibility, etc |
Hanif Abdurraqib. |
| 246 3# - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
They cannot kill us until they kill us |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Place of production, publication, distribution, manufacture |
Columbus, Ohio : |
| Name of producer, publisher, distributor, manufacturer |
Two Dollar Radio, |
| Date of production, publication, distribution, manufacture |
[2017] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
285 pages ; |
| Dimensions |
19 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
I: Chance The Rapper's Golden Year -- A Night in Bruce Springsteen's America -- Carly Rae Jepsen Loves You Back -- The Night Prince Walked on Water -- ScHoolboy Q Wants White People to Say the Word -- The Weeknd and the Future of Loveless Sex -- II: I Wasn't Brought Here, I was Born. Surviving Punk Rock Long Enough to Find Afropunk -- Under Half-Lit Fluorescents: The Wonder Years and The Great Suburban Narrative -- All Our Friends Are Famous -- The Return of the Loneliest Boys in Town -- Brief Notes on Staying// No One Is Making Their Best Work When They Want to Die -- Searching For a New Kind of Optimism -- Death Becomes You: My Chemical Romance and Ten Years of the Black Parade -- Defiance, Ohio is the Name of A Band -- III: Fall Out Boy Forever -- IV: Ric Flair, Best Rapper Alive -- It Rained in Ohio On the Night Allen Iverson Hit Michael Jordan with a Crossover -- There Is The Picture of Michael Jackson Kissing Whitney Houston on the Cheek -- Black Life on Film -- Tell ' Em All To Come and Get Me -- Burning That Which Will Not Save You: Wipe Me Down and the Ballad of Baton Rouge -- Rumours and the Currency of Heartbreak -- V: February 26, 2012 -- On Kindness -- In The Summer of 1997, Everyone Took to the Streets In Shiny Suits -- Nina Simone was Very Black -- Blood Summer, in three parts -- August 9, 2014 -- Fear in Two Winters -- On Paris-- My First Police Stop -- Serena Williams And the Policing of Imagined Arrogance -- They Will Speak Loudest of you After You're Gone -- Johnny Cash Never Shot a Man in Reno. Or, The Migos: Nice Kids From the Suburbs -- The Obama White House, A Brief Home for Rappers -- The White Rapper Joke -- On Future and Working Through What Hurts -- November 22, 2014 -- Surviving On Small Joys -- IV |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In essays that have been published by the New York Times, MTV, and Pitchfork, among others--along with original, previously unreleased essays-- Abdurraquib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in doing so proves himself a bellwether for out times." -- |
| Assigning source |
Page 4 of cover. |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Essays. |
| Source of term |
lcgft |
| 9 (RLIN) |
5184 |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
