MARC details
000 -LEADER |
fixed length control field |
03782cam a22004458i 4500 |
001 - CONTROL NUMBER |
control field |
on1001767692 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20180722230244.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
171122s2018 nyu 000 1 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2017043121 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
OCLCO |
-- |
OCLCF |
-- |
SSH |
-- |
IAD |
-- |
IGA |
-- |
CZA |
-- |
PCX |
-- |
OCLCO |
-- |
ILC |
-- |
NFG |
019 ## - |
-- |
1037786348 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780062798206 |
Qualifying information |
(hardcover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0062798200 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780062798077 |
Qualifying information |
(softcover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0062798073 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1001767692 |
Canceled/invalid control number |
(OCoLC)1037786348 |
037 ## - SOURCE OF ACQUISITION |
Source of stock number/acquisition |
Harpercollins, 53 Glenmaura National Blvd Ste 300, Moosaic, PA, USA, 18507-2132 |
Note |
SAN 200-2086 |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
Teller, |
Item number |
Danielle |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Teller, Danielle, |
Relator term |
author. |
9 (RLIN) |
357346 |
245 10 - TITLE STATEMENT |
Title |
All the ever afters : |
Remainder of title |
the untold story of Cinderella's stepmother / |
Statement of responsibility, etc |
Danielle Teller. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
263 ## - PROJECTED PUBLICATION DATE |
Projected publication date |
1805 |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
New York, NY : |
Name of producer, publisher, distributor, manufacturer |
William Morrow, |
Date of production, publication, distribution, manufacture |
2018. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
376 pages ; |
Dimensions |
22 cm |
336 ## - CONTENT TYPE |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
520 ## - SUMMARY, ETC. |
Summary, etc |
"In the vein of Wicked, The Woodcutter, and Boy, Snow, Bird, a luminous reimagining of a classic tale, told from the perspective of Agnes, Cinderella's "evil" stepmother. We all know the story of Cinderella. Or do we? As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, who knows all too well about hardship, privately records the true story. A peasant born into serfdom, Agnes is separated from her family and forced into servitude as a laundress's apprentice when she is only ten years old. Using her wits and ingenuity, she escapes her tyrannical matron and makes her way toward a hopeful future. When teenaged Agnes is seduced by an older man and becomes pregnant, she is transformed by love for her child. Once again left penniless, Agnes has no choice but to return to servitude at the manor she thought she had left behind. Her new position is nursemaid to Ella, an otherworldly infant. She struggles to love the child who in time becomes her stepdaughter and, eventually, the celebrated princess who embodies everyone's unattainable fantasies. The story of their relationship reveals that nothing is what it seems, that beauty is not always desirable, and that love can take on many guises. Lyrically told, emotionally evocative, and brilliantly perceptive, All the Ever Afters explores the hidden complexities that lie beneath classic tales of good and evil, all the while showing us that how we confront adversity reveals a more profound, and ultimately more important, truth than the ideal of "happily ever after.""-- |
Assigning source |
Provided by publisher. |
520 ## - SUMMARY, ETC. |
Summary, etc |
"A luminous retelling of the classic Cinderella tale, told from the perspective of Agnes, the "evil" step-mother"-- |
Assigning source |
Provided by publisher. |
520 ## - SUMMARY, ETC. |
Summary, etc |
We all know the story of Cinderella... or do we? Her stepmother, Agnes, has privately recorded the true story. A peasant born into serfdom, forced into servitude as a laundress's apprentice when she is only ten years old, Agnes was seduced by an older man while a teenager and became pregnant. She had no choice but to return to servitude at the manor she thought she had left behind, where her new position is nursemaid to Ella. The story of their relationship reveals that nothing is what it seems, that beauty is not always desirable, and that love can take on many guises. -- adapted from jacket |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Cinderella (Tale) |
Form subdivision |
Adaptations. |
9 (RLIN) |
275037 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Stepmothers |
Form subdivision |
Fiction. |
9 (RLIN) |
63447 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Fairy tales. |
Source of term |
lcgft |
9 (RLIN) |
3631 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Adaptations. |
Source of term |
lcgft |
9 (RLIN) |
2407 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Fantasy fiction. |
Source of term |
lcgft |
9 (RLIN) |
74 |
994 ## - |
-- |
C0 |
-- |
NFG |