MARC details
| 000 -LEADER |
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| fixed length control field |
05173cam a2200529 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1002129696 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20180722230531.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
171016t20182018nyuab bc 001 0 eng c |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2017049328 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
NNFr/DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
OCLCO |
| -- |
OCLCA |
| -- |
YDX |
| -- |
OCLCO |
| -- |
ZLM |
| -- |
MUU |
| -- |
CNNGC |
| -- |
VLR |
| -- |
UBY |
| -- |
CHVBK |
| -- |
OCLCO |
| -- |
KSU |
| -- |
EUM |
| -- |
NFG |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781588396402 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1588396401 |
| Qualifying information |
(hardcover) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1002129696 |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
759.13 |
| Item number |
K84 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Kornhauser, Elizabeth Mankin, |
| Dates associated with a name |
1950- |
| Relator term |
author. |
| 9 (RLIN) |
164921 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Thomas Cole's journey : |
| Remainder of title |
Atlantic crossings / |
| Statement of responsibility, etc |
Elizabeth Mankin Kornhauser and Tim Barringer ; with Dorothy Mahon, Christopher Riopelle, and Shannon Vittoria. |
| 246 3# - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Atlantic crossings |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
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| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
The Metropolitan Museum of Art, |
| Date of production, publication, distribution, manufacture |
[2018] |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Date of production, publication, distribution, manufacture |
©2018 |
| 264 #2 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
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| Place of production, publication, distribution, manufacture |
New Haven : |
| Name of producer, publisher, distributor, manufacturer |
Distributed by Yale University Press |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
287 pages : |
| Other physical details |
illustrations (some color), maps (some color) ; |
| Dimensions |
29 cm |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
still image |
| Content Type Code |
sti |
| Source |
rdacontent |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
cartographic image |
| Content Type Code |
cri |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
This catalogue is published in conjunction with "Thomas Cole's Journey: Atlantic Crossings" on view at The Metropolitan Museum of Art, New York, from January 30 through May 13, 2018, and at the National Gallery, London, from June 11 through October 7, 2018. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages 275-279) and index. |
| 520 8# - SUMMARY, ETC. |
|---|
| Summary, etc |
Thomas Cole (1801-1848), arguably the greatest American landscape artist of his generation, is presented here in a new light: as an international figure, born in England, and in dialogue with the major landscape painters of the age, including J.M.W. Turner and John Constable. Cole traveled in Europe from 1829 to 1832. Thomas Cole's Journey reexamines his seminal works of 1832-36--notably The Oxbow and Course of Empire--as a culminating response to his experiences of British art and society and of Italian landscape painting. These, combined with Cole's passion for the American wilderness and his horror of the industrial revolution in Britain, led him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States and the ecological changes then underway. This groundbreaking book also discusses Cole's influence on later artists, from Frederic Edwin Church to Ed Ruscha. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Thomas Cole's Atlantic Crossings / |
| Statement of responsibility |
Tim Barringer -- |
| Title |
Manifesto for an American Sublime: Thomas Cole's The Oxbow / |
| Statement of responsibility |
Elizabeth Mankin Kornhauser -- |
| Title |
Thomas Cole and the landscape oil sketch / |
| Statement of responsibility |
Christopher Riopelle -- |
| Title |
Thomas Cole's The Oxbow and the consummation of empire: a technical comparison / |
| Statement of responsibility |
Dorothy Mahon -- |
| Title |
Catalogue. |
| -- |
Industrial England ; |
| -- |
American wilderness ; |
| -- |
London : imperial metropolis ; |
| -- |
Italy : the grand tour ; |
| -- |
American citizenship and consummation ; |
| -- |
Cole's legacy -- |
| -- |
Chronology / |
| Statement of responsibility |
Shannon Vittoria. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"Thomas Cole (1801-1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole's Journey emphasizes the artist's travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. Presenting the artist's most renowned paintings--The Oxbow (1836) and The Course of Empire cycle (1834-36)--as the culmination of his European experiences and of his abiding passion for the American wilderness, this lavishly illustrated catalogue provides a new perspective on these cherished masterpieces. Four essays examine how Cole's first-hand knowledge of the British industrial revolution and his study of the Roman Empire positioned him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States, the ecological and economic changes then underway, and the dangers that faced the young nation." -- Publisher's description |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Cole, Thomas, |
| Dates associated with a name |
1801-1848 |
| Form subdivision |
Exhibitions. |
| 9 (RLIN) |
361325 |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Cole, Thomas, |
| Dates associated with a name |
1801-1848 |
| General subdivision |
English influences |
| Form subdivision |
Exhibitions. |
| 9 (RLIN) |
361326 |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Cole, Thomas, |
| Dates associated with a name |
1801-1848 |
| General subdivision |
Italian influences |
| Form subdivision |
Exhibitions. |
| 9 (RLIN) |
361327 |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Cole, Thomas, |
| Dates associated with a name |
1801-1848 |
| General subdivision |
Influence |
| Form subdivision |
Exhibitions. |
| 9 (RLIN) |
361328 |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Exhibition catalogs. |
| Source of term |
lcgft |
| 9 (RLIN) |
270379 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Barringer, T. J., |
| Relator term |
author. |
| 9 (RLIN) |
361329 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Mahon, Dorothy, |
| Relator term |
writer of suppelementary textual content. |
| 9 (RLIN) |
361330 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Riopelle, Christopher, |
| Relator term |
writer of suppelementary textual content. |
| 9 (RLIN) |
361331 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Vittoria, Shannon, |
| Relator term |
writer of supplementary textual content. |
| 9 (RLIN) |
361332 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Metropolitan Museum of Art (New York, N.Y.), |
| Relator term |
issuing body, |
| -- |
host institution. |
| 9 (RLIN) |
21392 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
National Gallery (Great Britain), |
| Relator term |
host institution. |
| 9 (RLIN) |
296797 |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
