MARC details
000 -LEADER |
fixed length control field |
02104cam a2200313Ii 4500 |
001 - CONTROL NUMBER |
control field |
on1039967165 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20181231003749.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
180611t20182018enkg b 001 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
ERASA |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
ERASA |
Modifying agency |
CDX |
-- |
OCLCF |
-- |
YDX |
-- |
RCE |
-- |
TDF |
-- |
WTU |
-- |
NFG |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781472955715 |
Qualifying information |
(HB) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1472955714 |
Qualifying information |
(HB) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1039967165 |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
780.1 |
Item number |
S435 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Scruton, Roger, |
Relator term |
author. |
9 (RLIN) |
50338 |
245 10 - TITLE STATEMENT |
Title |
Music as an art / |
Statement of responsibility, etc |
Roger Scruton. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
London : |
Name of producer, publisher, distributor, manufacturer |
Bloomsbury Continuum, |
Date of production, publication, distribution, manufacture |
2018. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Date of production, publication, distribution, manufacture |
©2018 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
263 pages : |
Other physical details |
music ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (pages 245-249) and index. |
520 8# - SUMMARY, ETC. |
Summary, etc |
Roger Scruton is a polymath. He has written authoritatively on a huge range of subjects from the environment to wine, from cosmology to the Middle East. He is also an accomplished musician (organ and piano) and a composer of works including an opera and a song cycle. This is Scruton's second major work on music for Bloomsbury--the first being Understanding Music (Continuum, 2009). In this new book he turns again to the meaning of tonality and sound. His abstract, somewhat mystical, argument on these topics includes slashing attacks on Marxist reductionism, the authenticity of Early Music, on rival aestheticians such as Adorno and on sentimentality and cliché in any form. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Part I, Philosophical investigations. When is a tune? ; Music and cognitive science ; Music and the moral life ; Music and the transcendental ; Tonality ; German idealism and the philosophy of music -- Part II, Critical explorations. Franz Schubert and the Quartettsatz ; Rameau the musician ; Britten's dirge ; David Matthews ; Reflections on Deaths in Venice ; Pierre Boulez ; Film music ; The assault on opera ; Nietzsche on Wagner ; The music of the future ; The culture of pop. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Music |
General subdivision |
Philosophy and aesthetics. |
9 (RLIN) |
259100 |
994 ## - |
-- |
C0 |
-- |
NFG |