MARC details
000 -LEADER |
fixed length control field |
03438cam a2200397 i 4500 |
001 - CONTROL NUMBER |
control field |
on1031054824 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20181218111842.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
180322t20182018txua b s001 0deng c |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2018014320 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781477317709 |
Qualifying information |
hardcover |
-- |
alkaline paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1477317708 |
Qualifying information |
hardcover |
-- |
alkaline paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781477318393 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1031054824 |
Canceled/invalid control number |
(OCoLC)1029879720 |
-- |
(OCoLC)1030022393 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
ICU/DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
OCLCO |
-- |
OCLCF |
-- |
YDX |
-- |
BDX |
-- |
DLC |
-- |
OCLCA |
-- |
ERASA |
-- |
TDF |
-- |
IKM |
-- |
QQ3 |
-- |
OLC |
-- |
ILE |
-- |
IGA |
-- |
YDX |
-- |
WLU |
-- |
OCLCO |
-- |
TNX |
-- |
NFG |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
782.4216 |
Item number |
T592 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Tinsley, Omise'eke Natasha, |
Dates associated with a name |
1971- |
Relator term |
author. |
9 (RLIN) |
380675 |
245 10 - TITLE STATEMENT |
Title |
Beyoncé in formation : |
Remainder of title |
remixing Black feminism / |
Statement of responsibility, etc |
Omise'eke Natasha Tinsley. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
Austin : |
Name of producer, publisher, distributor, manufacturer |
University of Texas Press, |
Date of production, publication, distribution, manufacture |
2018. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Date of production, publication, distribution, manufacture |
©2018 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
204 pages ; |
Dimensions |
22 cm |
336 ## - CONTENT TYPE |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (pages 177-199) and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction: for the Texas bama femme -- Family album: making lemonade out of marriage, motherhood, and southern tradition -- Queen bee blues -- Mama said shoot -- Most bomb pussy: toward a black feminist pleasure politics -- Love the grind -- Unapologetically femme -- Calling for freedom: black women's activism in the US south -- Freedom, too -- I came to slay -- Outro: I know Beyonće loves black femmes. |
520 ## - SUMMARY, ETC. |
Summary, etc |
Making headlines when it was launched in 2015, Omise'eke Natasha Tinsley's undergraduate course "Beyonce Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyonce in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital next-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley's "Femme-onade" mixtape explores myriad facets of black women's sexuality and gender. Turning to Beyonce's "Don't Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in "Daddy Lessons," interspersing these passages with memories from Tinsley's multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video "Formation," underscoring why Beyonce's black femme-inism isn't only for ciswomen. From pleasure politics and the struggle for black women's reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey's provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay's Bad Feminist and Jill Lepore's bestselling cultural histories, Beyonce in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America. |
600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Beyoncé, |
Dates associated with a name |
1981- |
9 (RLIN) |
14507 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
African American women singers. |
9 (RLIN) |
380676 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
African American feminists. |
9 (RLIN) |
380677 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Feminism and music. |
9 (RLIN) |
380678 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Adult Book |