MARC details
| 000 -LEADER |
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| fixed length control field |
04409cam a22003498i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1035427491 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190319115113.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
181006s2019 nyu b 000 0 eng c |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2018032895 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
LBSOR/DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
OCLCO |
| -- |
JNE |
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UAP |
| -- |
KCP |
| -- |
CZA |
| -- |
JTH |
| -- |
LEB |
| -- |
YDX |
| -- |
JTH |
| -- |
VMI |
| -- |
DV1 |
| -- |
UKMGB |
| -- |
VKC |
| -- |
NFG |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
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| National bibliography number |
GBB936319 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
019267792 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780143133155 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0143133152 |
| Qualifying information |
(paperback) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1035427491 |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
808.02 |
| Item number |
W282 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Warner, John, |
| Dates associated with a name |
1970- |
| Relator term |
author. |
| 9 (RLIN) |
256452 |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The writer's practice : |
| Remainder of title |
building confidence in your nonfiction writing / |
| Statement of responsibility, etc |
John Warner. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Place of production, publication, distribution, manufacture |
[New York, New York] : |
| Name of producer, publisher, distributor, manufacturer |
Penguin Books, |
| Date of production, publication, distribution, manufacture |
[2019] |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xiii, 242 pages; |
| Dimensions |
18 cm |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
"For anyone aiming to improve their skill as a writer, a new approach to establishing robust writing practices inside and outside the classroom. After a decade of teaching writing using the same methods he'd experienced as a student many years before, writer, editor, and educator John Warner realized he could do better. Drawing on his classroom experience and the most persuasive research in contemporary composition studies, he devised an innovative new framework: a step-by-step method that moves the student through a series of writing problems, an organic, bottom-up writing process that exposes and acculturates them to the ways writers work in the world. The time is right for this new and groundbreaking approach. The most popular books on composition take a formalistic view, utilizing "templates" in order to mimic the sorts of rhetorical moves academics make. While this is a valuable element of a writing education, there is room for something that speaks more broadly. The Writer's Practice invites students and novice writers into an intellectually engaging, active learning process that prepares them for a wider range of academic and real-world writing and allows them to become invested and engaged in their own work."-- |
| Assigning source |
Provided by publisher. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Getting started -- Before we begin -- Writing experiences -- Questions about this book -- Who are you? (as a writer) -- How do I . . . ? (instructions) -- The writing process -- Should I . . . ? (review) -- Reading like a writer -- Who are they? (profiling) -- Making inferences from observations -- Where did you go? (sense memory) -- Bringing the world to the page -- You did what? (adventure report) -- Is it true? Did it really happen? (experience vs. memory) -- What's the right thing to do? (ethical dilemma) -- Titles -- If it isn't true, why do people believe it? (conspiracy theory analysis) -- Who are we? (rhetorical analysis of a commercial) -- Writing is thinking -- What's so funny? (rhetorical analysis of a work of humor) -- What's going to happen? (playing the pundit) -- Why proofreading is so difficult -- What if . . . ? (alternate history) -- Procrastination -- How's it all going to end? (judging the apocalypse) -- What do they mean? (argument summary and response) -- Huh? Say what? (research translation) -- The perils of "objectivity" -- Why should I trust this? (understanding sources) -- Hey, whaddaya know? (trivia questions and annotated bibliography) -- Is a hot dog a sandwich? (impossible argument) -- Using sources -- You've got to do this! (passion argument) -- Why am I so angry and what can I do about it? (problem/solution argument) -- Version 1: school edition -- Version 2: life edition -- Failure -- What do you want to say? (finding your own argument) -- May I . . . ? (proposal) -- Make me laugh (jokes) -- Collaboration -- Are you trying to make me angry? (conflict letter) -- How can I help you help me? (solution letter) -- If I knew then what I know now (advice to your former self) -- Feedback -- What should I do? (advice to someone else) -- No, seriously, make me laugh (short imagined monologue) -- Who is this stranger? (profile) -- Who is this special person? (tribute) -- The right word vs. the almost right word (thinking about sentences) -- Who are you now? (as a writer). |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Creative nonfiction |
| General subdivision |
Authorship. |
| 9 (RLIN) |
12407 |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
