MARC details
000 -LEADER |
fixed length control field |
03155cam a22004098i 4500 |
001 - CONTROL NUMBER |
control field |
on1077515192 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20190529165404.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
181128s2019 nyua b 000 0deng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2018055735 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
OCLCO |
-- |
OCLCF |
-- |
IEB |
-- |
ZGY |
-- |
UAP |
-- |
VP@ |
-- |
NFG |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781628729153 |
Qualifying information |
(hardback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1628729155 |
Qualifying information |
(hardback) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1077515192 |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e-it--- |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
709.2 |
Item number |
P281 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Pascuzzi, Alan, |
Relator term |
author. |
9 (RLIN) |
401655 |
245 10 - TITLE STATEMENT |
Title |
Becoming Michelangelo : |
Remainder of title |
apprenticing to the master, and discovering the artist through his drawings / |
Statement of responsibility, etc |
Alan Pascuzzi. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
263 ## - PROJECTED PUBLICATION DATE |
Projected publication date |
1905 |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Arcade Publishing, |
Date of production, publication, distribution, manufacture |
[2019] |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xvi, 293 pages : |
Other physical details |
illustrations (chiefly color) ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
336 ## - CONTENT TYPE |
Content Type Term |
still image |
Content Type Code |
sti |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references. |
520 ## - SUMMARY, ETC. |
Summary, etc |
"An artist's extraordinary challenge to himself reveals the genius of Michelangelo in the making. Many believe Michelangelo's talent was miraculous and untrained, the product of 'divine' genius, but the young Michelangelo studied art like any Renaissance apprentice, learning from a master and experimenting with materials and styles. As a grad student in art history, Alan Pascuzzi won a Fulbright scholarship to 'apprentice' himself to Michelangelo, studying his extant drawings and copying them to learn the progression of his technique, mastery of anatomy and composition, and understanding of human potential. Pascuzzi also relied on the Renaissance treatise that 'Il Divino' himself would have been familiar with, Cennino Cennini's The Craftsman's Handbook (1399), which was available to apprentices as a kind of textbook of the period. Pascuzzi's narrative traces Michelangelo's development from student and young artist to master during the period from roughly 1485 to his completion of the Sistine Chapel ceiling in 1512. Analyzing Michelangelo's burgeoning abilities through copies he himself executed in museums and galleries in Florence and elsewhere, Pascuzzi unlocks the transformation that made him great. At the same time, he narrates his own transformation from student to artist as Michelangelo's last apprentice"-- |
Assigning source |
Provided by publisher. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Did Michelangelo have to learn how to draw? -- Wanting to become a master -- A lofty spirit : my apprenticeship to Michelangelo -- The world of Renaissance drawings -- Michelangelo's early apprenticeship -- Michelangelo, the Medici, and a career change -- Michelangelo returns to Florence, 1501-1504 -- The drawings for the Battle of Cascina -- The drawings for the Sistine Chapel, part I -- The drawings for the Sistine Chapel, part II. |
600 00 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Michelangelo Buonarroti, |
Dates associated with a name |
1475-1564 |
General subdivision |
Knowledge and learning. |
9 (RLIN) |
401656 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art |
General subdivision |
Study and teaching. |
9 (RLIN) |
209415 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Artists |
General subdivision |
Training of. |
9 (RLIN) |
401657 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Drawing, Italian |
General subdivision |
Copying. |
9 (RLIN) |
401658 |
994 ## - |
-- |
C0 |
-- |
NFG |