MARC details
000 -LEADER |
fixed length control field |
02910cam a22004338i 4500 |
001 - CONTROL NUMBER |
control field |
on1078960034 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20190723140933.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
181130s2019 nyuacf bk 001 0deng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2018057437 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
YDX |
-- |
BDX |
-- |
OCLCQ |
-- |
OCLCF |
-- |
ORX |
-- |
UKMGB |
-- |
TP7 |
-- |
ACN |
-- |
IH9 |
-- |
UAP |
-- |
CLE |
-- |
NFG |
015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
National bibliography number |
GBB9A1616 |
Source |
bnb |
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
019428074 |
Source |
Uk |
019 ## - |
-- |
1066125192 |
-- |
1101635968 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781501151194 |
Qualifying information |
(hardcover ; |
-- |
alkaline paper) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1501151193 |
Qualifying information |
(hardcover ; |
-- |
alkaline paper) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1078960034 |
Canceled/invalid control number |
(OCoLC)1066125192 |
-- |
(OCoLC)1101635968 |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us-nv |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
Presley, E. |
Item number |
Z85 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Zoglin, Richard, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Elvis in Vegas : |
Remainder of title |
how the King reinvented the Las Vegas show / |
Statement of responsibility, etc |
Richard Zoglin. |
250 ## - EDITION STATEMENT |
Edition statement |
First Simon & Schuster hardcover edition. |
263 ## - PROJECTED PUBLICATION DATE |
Projected publication date |
1907 |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Simon & Schuster, |
Date of production, publication, distribution, manufacture |
2019. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
v, 296 pages, 16 unnumbered pages of plates : |
Other physical details |
illustrations, portraits (black and white) ; |
Dimensions |
23 cm |
336 ## - CONTENT TYPE |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
336 ## - CONTENT TYPE |
Content Type Term |
still image |
Content Type Code |
sti |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
520 ## - SUMMARY, ETC. |
Summary, etc |
Elvis's 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour--bad movies, and mediocre pop songs that no longer made the charts. He'd been dismissed by most critics as over the hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews, "Suspicious Minds" gave him his first number-one hit in seven years, and Elvis became Vegas's biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed too. The intimate night-club-style shows of the Rat Pack, who made Vegas the nation's premier live-entertainment center in the 1950s and '60s, catered largely to well-heeled older gamblers. Elvis brought a new kind of experience: an over-the-top, rock-concert-like extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. In doing so, he opened the door to a new generation of pop/rock performers, and brought a new audience to Vegas--a mass audience from Middle America that Vegas depends on for its success to this day. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (pages 257-279), discography, and index. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Presley, Elvis, |
Dates associated with a name |
1935-1977 |
General subdivision |
Criticism and interpretation. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Popular music |
Geographic subdivision |
Nevada |
-- |
Las Vegas |
General subdivision |
History and criticism. |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
Las Vegas (Nev.) |
General subdivision |
History. |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Biographies. |
Source of term |
lcgft |
994 ## - |
-- |
C0 |
-- |
NFG |