MARC details
000 -LEADER |
fixed length control field |
03574cam a2200409 i 4500 |
001 - CONTROL NUMBER |
control field |
on1101521302 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20200508111642.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190828s2019 nyu 000 1 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2019038100 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
ORX |
-- |
IAD |
-- |
TCH |
-- |
UAP |
-- |
JDP |
-- |
ZAC |
-- |
ILC |
-- |
OCLCO |
-- |
IUK |
-- |
OCLCF |
-- |
YDX |
-- |
NFG |
019 ## - |
-- |
1139372340 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781984826879 |
Qualifying information |
paperback ; acid-free paper |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1984826875 |
Qualifying information |
paperback ; acid-free paper |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1101521302 |
Canceled/invalid control number |
(OCoLC)1139372340 |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
Nicholls |
Item number |
Owen |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Nicholls, Owen, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Love, unscripted : |
Remainder of title |
a novel / |
Statement of responsibility, etc |
Owen Nicholls. |
250 ## - EDITION STATEMENT |
Edition statement |
First U.S. edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Ballantine Books, |
Date of production, publication, distribution, manufacture |
[2019] |
300 ## - PHYSICAL DESCRIPTION |
Extent |
343 pages ; |
Dimensions |
21 cm |
336 ## - CONTENT TYPE |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
"Originally published in Great Britain in 2019 by Headline Review, an imprint of the Headline Publishing Group." |
520 ## - SUMMARY, ETC. |
Summary, etc |
"Ellie had the quizzical eyebrows of Broadcast News-era Holly Hunter and the neon-red hair of Kate Winslet in Eternal Sunshine of the Spotless Mind. At least, that's what caught Nick's attention when he met her on the night of 2008's historic election. A cinema devotee and lover of great love stories, Nick always fancied himself the Tom Hanks of his own romantic comedy, and when sparks flew with Ellie that night, he swiftly cast her as the Meg Ryan of his story. For four blissful years, Nick loved Ellie as much as he loved his job as a film projectionist: wholly, earnestly, cinematically. But now Ellie has moved out, convinced "the fire's gone," and Nick is forced to sift through his memories to figure out where it all went wrong. The fallout from Ellie's declaration that she "doesn't love Nick the way she used to" throws him back into recollections of their first night together. Their shared jokes, her wry smile, the "hope" that filled the night air--his memories are as rose-colored as the Hollywood love stories he idealizes. That night was a perfect meet-cute, yes, but was their romance as destined for a "happily ever after" as he'd thought? Is he really the rom-com hero he believes he's been? Or did this Harry let his Sally down? Peppered with references to beloved movies, Love, Unscripted explores how even a hopeless romantic can learn that in real life, love isn't, and shouldn't be, like what we see in the movies"-- |
Assigning source |
Provided by publisher. |
520 ## - SUMMARY, ETC. |
Summary, etc |
Ellie catches Nick's attention on the night of 2008's historic election. A cinema devotee and lover of great love stories, Nick always fancied himself the Tom Hanks of his own romantic comedy, and he swiftly cast her as the Meg Ryan of his story. For four blissful years Nick loved Ellie as much as he loved his job as a film projectionist: wholly, earnestly, cinematically. But now Ellie has moved out, convinced "the fire's gone," and Nick is forced to sift through his memories to figure out where it all went wrong. His memories are as rose-colored as the Hollywood love stories he idealizes, but in real life love isn't like what we see in the movies. -- adapted from back cover |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Man-woman relationships |
Form subdivision |
Fiction. |
9 (RLIN) |
769 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Separation (Psychology) |
Form subdivision |
Fiction. |
9 (RLIN) |
49733 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Conscience, Examination of |
Form subdivision |
Fiction. |
9 (RLIN) |
118561 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Motion picture projectionists |
Form subdivision |
Fiction. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Memory |
Form subdivision |
Fiction. |
9 (RLIN) |
67182 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Romance fiction. |
Source of term |
lcgft |
9 (RLIN) |
772 |
994 ## - |
-- |
C0 |
-- |
NFG |