MARC details
| 000 -LEADER |
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| fixed length control field |
02847cam a2200373 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1130641464 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20201201153208.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
191214s2020 enka b 001 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
YDX |
| Modifying agency |
BDX |
| -- |
ERASA |
| -- |
OCLCQ |
| -- |
UKMGB |
| -- |
OCLCO |
| -- |
OCLCF |
| -- |
QGK |
| -- |
YDX |
| -- |
CHVBK |
| -- |
OCLCO |
| -- |
DPL |
| -- |
TOH |
| -- |
UAP |
| -- |
NFG |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
|---|
| National bibliography number |
GBC050514 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
|---|
| Record control number |
019765036 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780198861904 |
| Qualifying information |
hardback |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0198861907 |
| Qualifying information |
hardback |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)1130641464 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
|---|
| Classification number |
823.7 |
| Item number |
K44 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Keymer, Thomas, |
| Dates associated with a name |
1962- |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Jane Austen : |
| Remainder of title |
writing, society, politics / |
| Statement of responsibility, etc |
Tom Keymer. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Place of production, publication, distribution, manufacture |
Oxford : |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
| Date of production, publication, distribution, manufacture |
2020. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xiv, 168 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
18 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages 153-158) and index. |
| 520 8# - SUMMARY, ETC. |
|---|
| Summary, etc |
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." So runs one of the most famous opening lines in English literature. Setting the scene in 'Pride and Prejudice', it deftly introduces the novel's core themes of marriage, money, and social convention, themes that continue to resonate with readers over 200 years later. Jane Austen wrote six of the best-loved novels in the English language, as well as a smaller corpus of unpublished works. Her books pioneered new techniques for representing voices, minds, and hearts in narrative prose, and, despite some accusations of a blinkered domestic and romantic focus, they represent the world of their characters with unsparing clarity. Here, Tom Keymer explores the major themes throughout Austen's novels, setting them in the literary, social, and political backgrounds from which they emerge, and showing how they engage with social tensions in an era dominated by the French Revolution and the Napoleonic Wars. The Jane Austen who emerges is a writer shaped by the literary experiments and socio-political debates of her time, increasingly drawn to a fundamentally conservative vision of social harmony, yet forever complicating this vision through her disruptive ironies and satirical energy. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Jane Austen practising -- The terrors of Northanger Abbey -- Sense, sensibility, society -- The voices of Pride and Prejudice -- The silence at Mansfield Park -- Emma and Englishness -- Passion and persuasion. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Austen, Jane, |
| Dates associated with a name |
1775-1817 |
| General subdivision |
Criticism and interpretation. |
| 9 (RLIN) |
30491 |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Austen, Jane, |
| Dates associated with a name |
1775-1817 |
| General subdivision |
Influence. |
| 9 (RLIN) |
143533 |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Austen, Jane, |
| Dates associated with a name |
1775-1817 |
| General subdivision |
Appreciation |
| -- |
History. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Austen, Jane, |
| Dates associated with a name |
1775-1817 |
| General subdivision |
Criticism and interpretation |
| -- |
History. |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
