MARC details
| 000 -LEADER |
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| fixed length control field |
02726cam a2200421Ii 4500 |
| 001 - CONTROL NUMBER |
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| control field |
ocm57214781 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20210121084345.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
041213s2001 cau 000 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| Canceled/invalid LC control number |
93027573 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
EDK |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
EDK |
| Modifying agency |
OCLCQ |
| -- |
AU@ |
| -- |
LMR |
| -- |
CNVPL |
| -- |
CPE |
| -- |
GZI |
| -- |
TTS |
| -- |
ORX |
| -- |
BDX |
| -- |
WEA |
| -- |
OCLCF |
| -- |
EDK |
| -- |
OCLCA |
| -- |
S3O |
| -- |
SFR |
| -- |
OCLCQ |
| -- |
QQ3 |
| -- |
OCL |
| -- |
NFG |
| 019 ## - |
|---|
| -- |
982666918 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Cancelled/invalid ISBN |
0961454733 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780961454739 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0961454733 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)57214781 |
| Canceled/invalid control number |
(OCoLC)982666918 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
|---|
| Classification number |
701.15 |
| Item number |
B358 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Bayles, David, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Art & fear : |
| Remainder of title |
observations on the perils (and rewards) of artmaking / |
| Statement of responsibility, etc |
David Bayles, Ted Orland. |
| 246 3# - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Art and fear |
| 246 3# - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Observations on the perils (and rewards) of artmaking |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First Image Continuum Press edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Place of production, publication, distribution, manufacture |
Santa Cruz, California : |
| Name of producer, publisher, distributor, manufacturer |
Image Continuum, |
| Date of production, publication, distribution, manufacture |
2001. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Date of production, publication, distribution, manufacture |
©2001 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
122 pages ; |
| Dimensions |
21 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction -- Nature Of The Problem: -- Few assumptions -- Art & Fear: -- Vision & execution -- Imagination -- Materials -- Uncertainty -- Fears About Yourself: -- Pretending -- Talent -- Perfection -- Annihilation -- Magic -- Expectations -- Fears About Others: -- Understanding -- Acceptance -- Approval -- Finding Your Work: -- Canon -- Outside World: -- Ordinary problems -- Common ground -- Art issues -- Competition -- Navigating the system -- Academic World: -- Faculty issues -- Student issues -- Books about art -- Conceptual Worlds: -- Ideas and technique -- Craft -- New work -- Creativity -- Habits -- Art & science -- Self-reference -- Metaphor -- Human Voice: -- Questions -- Constants -- Vox humana. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
Overview: "This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially - statistically speaking - there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."--The Introduction |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Artists |
| General subdivision |
Psychology. |
| 9 (RLIN) |
212546 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Creation (Literary, artistic, etc.) |
| 9 (RLIN) |
40137 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Artist's block. |
| 9 (RLIN) |
230083 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Fear of failure. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Orland, Ted, |
| Relator term |
author. |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
