MARC details
| 000 -LEADER |
|---|
| fixed length control field |
02915cam a2200409 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1090368974 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20210614113631.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
190615t20202020nyuaf e b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2019019146 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
LBSOR/DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
OCLCO |
| -- |
OCLCF |
| -- |
JAS |
| -- |
HHO |
| -- |
YDX |
| -- |
KUA |
| -- |
VP@ |
| -- |
CIA |
| -- |
JYJ |
| -- |
GYG |
| -- |
NFG |
| 019 ## - |
|---|
| -- |
1140205709 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781635571035 |
| Qualifying information |
hardcover |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1635571030 |
| Qualifying information |
hardcover |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)1090368974 |
| Canceled/invalid control number |
(OCoLC)1140205709 |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
n-us--- |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
|---|
| Classification number |
070.18 |
| Item number |
W687 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Wilkman, Jon, |
| Relator term |
author. |
| Relator code |
aut |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Screening reality : |
| Remainder of title |
how documentary filmmakers reimagined America / |
| Statement of responsibility, etc |
Jon Wilkman. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Place of production, publication, distribution, manufacture |
New York, NY : |
| Name of producer, publisher, distributor, manufacturer |
Bloomsbury Publishing, |
| Date of production, publication, distribution, manufacture |
2020. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Date of production, publication, distribution, manufacture |
©2020 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
503 pages, 8 unnumbered pages of plates : |
| Other physical details |
illustrations (some color) ; |
| Dimensions |
25 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 386 ## - |
|---|
| -- |
Gender group: |
| -- |
gdr |
| -- |
Men |
| -- |
lcdgt |
| 386 ## - |
|---|
| -- |
Nationality/regional group: |
| -- |
nat |
| -- |
Californians |
| -- |
lcdgt |
| 386 ## - |
|---|
| -- |
Occupational/field of activity group: |
| -- |
occ |
| -- |
Motion picture directors |
| -- |
lcdgt |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages 449-484) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Prologue : Facing the facts -- |
| -- |
The world on a screen -- |
| -- |
Reality under fire and projected Americanism -- |
| -- |
Bijou safaris and truthful lies -- |
| -- |
Rebels, government agents, and reenactors -- |
| -- |
War, peace, and propaganda, take two -- |
| -- |
Fun facts, gawking mother nature, molding minds, and homemade history -- |
| -- |
Small screens, big stories -- |
| -- |
Zooming in -- |
| -- |
For the people, by the people -- |
| -- |
Three windows, one landscape -- |
| -- |
Additional takes -- |
| -- |
60 minutes, mock and mega truth, the multiverse, and life through the looking glass -- |
| -- |
Getting real in a golden age -- |
| -- |
Epilogue : Virtual reality and then what?. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"Even with claims of a new 'post-truth' era, documentary filmmaking has experienced a golden age. Today, more nonfiction movies are made and widely viewed than ever before, illuminating and compounding our increasingly fraught relationship with what's true in politics and culture. How did this happen? Providing answers, Screening Reality is a widescreen view of the rarely examined relationship between nonfiction movies and American history--how 'reality' has been discovered, defined, projected, televised, and streamed during more than one hundred years of dramatic change, through World Wars I and II, the dawn of mass media, the social and political turmoil of the sixties and seventies, and the communications revolution that led to a twenty-first century of empowered yet divided Americans"-- |
| Assigning source |
Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Documentary films |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Documentary films |
| General subdivision |
Social aspects |
| Geographic subdivision |
United States. |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
