MARC details
000 -LEADER |
fixed length control field |
03258cam a2200433 i 4500 |
001 - CONTROL NUMBER |
control field |
on1302898284 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20220325115011.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
220118t20222022nyu e b 000 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
ZPT |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
ZPT |
Modifying agency |
CPL |
-- |
RNL |
-- |
GL4 |
-- |
JFL |
-- |
OCLCO |
-- |
NFG |
019 ## - |
-- |
1298599447 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780063050839 |
Qualifying information |
(paperback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0063050838 |
Qualifying information |
(paperback) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1302898284 |
Canceled/invalid control number |
(OCoLC)1298599447 |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
391.009 |
Item number |
H996 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Hyland, Véronique, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Dress code : |
Remainder of title |
unlocking fashion from the new look to millennial pink / |
Statement of responsibility, etc |
Véronique Hyland. |
246 30 - VARYING FORM OF TITLE |
Title proper/short title |
Dress code |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Harper Perennial, |
Date of production, publication, distribution, manufacture |
[2022] |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Date of production, publication, distribution, manufacture |
©2022. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xii, 268 pages ; |
Dimensions |
21 cm. |
336 ## - CONTENT TYPE |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (pages 267-268). |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
part I. Underpinnings : why we wear what we wear: Think pink ; The kids are alright ; The "French girl" industrial complex ; Patagonia on Bedford Avenue ; Caviar on a potato chip -- part II. The top layer : fashion and the wider world: Déjà hue ; Who is she? ; Why can't I be you? ; Trial by fashion -- part III. High heels : dressing up for the patriarchy: Gaze of our lives ; The revolution will be spandex-clad ; Politics and fashion : we can't win -- part IV. Moon boots and jumpsuits : the future of fashion: Dress for the job you want : the tyranny of the uniform ; Basic instinct : why we're all starting to dress the same ; The couture body -- Epilogue. |
520 ## - SUMMARY, ETC. |
Summary, etc |
"Everything--from societal changes to the progress (or lack thereof) of women's rights to the hidden motivations behind what we choose to wear to align ourselves with a particular social group--can be tracked through clothing. Veronique Hyland examines thought-provoking questions such as: Why has the "French girl" persisted as our most undying archetype? What does "dressing for yourself" really mean for a woman? How should a female politician dress? Will gender-differentiated fashion go forever out of style? How has social media affected and warped our sense of self-presentation, and how are we styling ourselves expressly for it? Not everyone participates in painting, literature, or film. But there is no "opting out" of fashion. And yet, fashion is still seen as superficial and trivial, and only the finest of couture is considered as art. Hyland argues that fashion is a key that unlocks questions of power, sexuality, and class, taps into history, and sends signals to the world around us. Clothes means something--even if you're "just" wearing jeans and a T-shirt."-- |
Assigning source |
provided by publisher. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Fashion |
General subdivision |
Social aspects. |
9 (RLIN) |
212564 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Fashion |
General subdivision |
History |
Chronological subdivision |
21st century. |
9 (RLIN) |
254085 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Fashion design |
General subdivision |
Social aspects. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Fashion design |
General subdivision |
History |
Chronological subdivision |
21st century. |
9 (RLIN) |
365311 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Clothing and dress |
General subdivision |
Social aspects. |
9 (RLIN) |
205814 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Clothing and dress |
General subdivision |
History |
Chronological subdivision |
21st century. |
9 (RLIN) |
254084 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Clothing trade |
General subdivision |
Social aspects. |
9 (RLIN) |
212562 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Clothing trade |
General subdivision |
History |
Chronological subdivision |
21st century. |
994 ## - |
-- |
C0 |
-- |
NFG |