MARC details
000 -LEADER |
fixed length control field |
02859cam a2200385 i 4500 |
001 - CONTROL NUMBER |
control field |
on1258782110 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20220401143341.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
210703t20222022enkabf b 001 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
YDX |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
YDX |
Modifying agency |
BDX |
-- |
UKMGB |
-- |
ERASA |
-- |
CDX |
-- |
OJ4 |
-- |
OCLCO |
-- |
OCLCF |
-- |
VP@ |
-- |
NFG |
015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
National bibliography number |
GBC1L1557 |
Source |
bnb |
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
020430765 |
Source |
Uk |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0500024197 |
Qualifying information |
(hardcover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780500024195 |
Qualifying information |
(hardcover) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1258782110 |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e-uk-en |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
936.2319 |
Item number |
P692 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Pitts, Michael W., |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
How to build Stonehenge / |
Statement of responsibility, etc |
Mike Pitts. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
London : |
Name of producer, publisher, distributor, manufacturer |
Thames & Hudson, |
Date of production, publication, distribution, manufacture |
2022. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Date of production, publication, distribution, manufacture |
©2022 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
239 pages, 16 unnumbered pages of plates : |
Other physical details |
illustrations, maps, plates ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
336 ## - CONTENT TYPE |
Content Type Term |
still image |
Content Type Code |
sti |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (pages 31-32) and index. |
520 8# - SUMMARY, ETC. |
Summary, etc |
Icon of the New Stone Age, sculptural and engineering marvel, symbol of national pride: there is nothing quite like Stonehenge. These great sarsen and bluestone slabs, arranged with simple, graphic genius, attract visitors from across the world. The monument stands silent in the face of the questions its unlikely existence raises: who built it? Why? How? 0 There has been endless speculation about why Stonehenge was built, inspiring theories ranging from the academically credible to the improbable, but far less investigation into how. In the millennia since its creation, pieces of Stonehenge have been knocked over by heavy machinery, found their way to Florida (and back again), and been exposed to radioactive sodium, but the seemingly impossible endeavour of raising the stones with Neolithic technology has remained inexplicable - until now. 0 In the past decade ground-breaking discoveries, made possible by cutting-edge scientific techniques, have traced the precise provenance of the bluestones in Wales, but can we plot their journeys to the Salisbury Plain? And how might teams of labourers lacking machinery or even pack animals have dragged them 150 miles to the site? How did they carve joints into the sarsen boulders, among the hardest stones in the world, and then raise them into place? Mike Pitts draws on a lifetime's study to answer these questions, revealing how Stonehenge stood not in austere isolation, as we see it today, but as part of a wider world, the focus of a megalithic cosmology of belief, ritual and creativity. 0 With 109 illustrations. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Megalithic monuments |
Geographic subdivision |
England |
-- |
Wiltshire. |
9 (RLIN) |
125573 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Neolithic period |
Geographic subdivision |
England. |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
Stonehenge (England) |
9 (RLIN) |
125574 |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
Stonehenge (England) |
General subdivision |
History. |
9 (RLIN) |
230315 |
994 ## - |
-- |
C0 |
-- |
NFG |