MARC details
| 000 -LEADER |
|---|
| fixed length control field |
04794cam a2200433 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
on1285122172 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20220815085249.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
211112t20222022paua b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2021952868 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
YDX |
| Modifying agency |
BDX |
| -- |
TOH |
| -- |
S#L |
| -- |
IEB |
| -- |
OCLCF |
| -- |
UKMGB |
| -- |
ON8 |
| -- |
SDG |
| -- |
NFG |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
|---|
| National bibliography number |
GBC2B5336 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
|---|
| Record control number |
020668226 |
| Source |
Uk |
| 019 ## - |
|---|
| -- |
1285052515 |
| -- |
1285093054 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780762478439 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0762478438 |
| Qualifying information |
(hardcover) |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)1285122172 |
| Canceled/invalid control number |
(OCoLC)1285052515 |
| -- |
(OCoLC)1285093054 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
|---|
| Classification number |
791.4365 |
| Item number |
G653 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Goodman, Fred, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Rock on film : |
| Remainder of title |
the movies that rocked the big screen / |
| Statement of responsibility, etc |
Fred Goodman ; foreword by Michael Lindsay-Hogg. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First edition |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Place of production, publication, distribution, manufacture |
Philadelphia : |
| Name of producer, publisher, distributor, manufacturer |
Running Press, |
| Date of production, publication, distribution, manufacture |
2022. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Date of production, publication, distribution, manufacture |
©2022 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
ix, 278 pages : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
24 cm |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Foreword / by Sir Michael Lindsay-Hogg -- Between the sprockets: A history of rock on film -- A hard day's night -- Don't look back -- Jailhouse rock -- The TAMI show -- Woodstock -- Gimme shelter -- The last waltz -- Stop making sense -- Almost famous -- A conversation with Cameron Crowe: "The better the song is, the tougher it is to marry to cinema" -- I'm not there -- This is Spinal Tap -- Monterey Pop -- Metallica: Some Kind of Monster -- The Buddy Holly story/La Bamba -- Viva Las Vegas -- The Rocky Horror Picture Show -- The Girl Can't Help It -- Mystery Train -- Inside Llewyn Davis -- 20 Feet From Stardom -- A conversation with Jim Jarmusch: "The music tends to guide me first" -- Straight Outta Compton -- Ladies & Gentlemen, the Fabulous Stains -- Quadrophenia -- The Decline of Western Civilization: Part I -- High Fidelity -- Rock 'n' Roll High School -- Pink Floyd: The Wall -- Laurel Canyon -- The Harder They Come -- Singles -- A conversation with Penelope Spheeris: "People that make movies generally do not understand music" -- Ray -- Hairspray -- Smithereens -- A Star is Born/Gaga: Five Foot Two -- Get On Up -- The Runaways -- Oil City Confidential -- Beware of Mr. Baker -- Purple Rain -- Chuck Berry: Hail! Hail! Rock 'n' Roll -- A conversation with Taylor Hackford: "I wanted to make a portrait film of the most difficult man in rock and roll" -- The Blues Brothers -- Frank -- 8 Mile -- American Graffiti -- Alice's Restaurant -- Privilege -- The Black Godfather -- Standing in the Shadows of Motown -- Sex & Drugs & Rock & Roll -- Rolling Thunder Revue: A Bob Dylan Story -- A conversation with John Waters: "The Beatles were too cheery for me." |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"[This book] is the ultimate guide exploring the electrifying, entertaining, and often daring marriage of rock & roll cinema" -- From book jacket. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
When the use of Bill Haley's "Rock Around the Clock" turned 1955's Blackboard Jungle into a teen sensation and a box-office smash, it proved the opening shot in a cinematic and cultural revolution. Starting with Elvis Presley and the teensploitation films of the '50s and '60s, in Rock on Film award-winning author and former Rolling Stone editor Fred Goodman takes readers on a wide-ranging journey through film and pop history. Along the way, he measures the transformative impact of the mid-'60s landmarks A Hard Day's Night and Dont Look Back and how they seeded an almost unbelievably broad genre of films made by increasingly ambitious musicians and filmmakers across the past seven decades. From the carefree to the complex, the mindless to the mind-bending, rock films have staked out their own turf by simultaneously celebrating innocence and challenging artistic and social conventions. With an insightful round-up of fifty must-see rock films spanning crowd-pleasers, art-house favorites, underground gems, and undisputed classics, Rock on Film surveys the nearly seventy-year canon of a genre like no other. A series of original interviews with Cameron Crowe, Jim Jarmusch, Penelope Spheeris, Taylor Hackford, and John Waters illuminates how rock has influenced the work of some of the most divergent and thoughtful directors in movie history. Illustrated throughout by more than 150 full-color and black-and-white images, Rock on Film brings the history of music in the movies to vivid life. -- Adapted from book jacket. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Motion pictures and rock music. |
| 9 (RLIN) |
249849 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Rock films |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Rock music. |
| 9 (RLIN) |
27977 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Music |
| General subdivision |
History. |
| 9 (RLIN) |
92643 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Lindsay-Hogg, Michael, |
| Relator term |
author of foreword. |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
