MARC details
| 000 -LEADER |
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| fixed length control field |
04398cam a2200541 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1363828212 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230227143234.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
230123t20232023nyua b 001 0deng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
IG$ |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
IG$ |
| Modifying agency |
IHY |
| -- |
GO4 |
| -- |
ABJ |
| -- |
UKMGB |
| -- |
CDX |
| -- |
BDX |
| -- |
YDX |
| -- |
NFG |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
|---|
| National bibliography number |
GBC317827 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
020937657 |
| Source |
Uk |
| 019 ## - |
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| -- |
1317310150 |
| -- |
1317512265 |
| -- |
1317676212 |
| -- |
1317806009 |
| -- |
1356619373 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780063272415 |
| Qualifying information |
(hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0063272415 |
| Qualifying information |
(hardback) |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)1363828212 |
| Canceled/invalid control number |
(OCoLC)1317310150 |
| -- |
(OCoLC)1317512265 |
| -- |
(OCoLC)1317676212 |
| -- |
(OCoLC)1317806009 |
| -- |
(OCoLC)1356619373 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
704.0396 |
| Item number |
W273 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Ware, Zaria, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
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| Title |
Blk art : |
| Remainder of title |
the audacious legacy of Black artists and models in Western art / |
| Statement of responsibility, etc |
Zaria Ware. |
| 246 3# - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Black art |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
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| Place of production, publication, distribution, manufacture |
New York, NY : |
| Name of producer, publisher, distributor, manufacturer |
Harper Design, an imprint of HarperCollinsPublishers, |
| Date of production, publication, distribution, manufacture |
2023. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Date of production, publication, distribution, manufacture |
©2023 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
222 pages : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
26 cm |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 336 ## - CONTENT TYPE |
|---|
| Content Type Term |
still image |
| Content Type Code |
sti |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages 211-214) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part 1. The Models: Looking Behind The Dystopian Curtain -- Holier Than Thou-est -- Case Study: It's All Greek To Me -- Scandal! Murder! Intrigue! Bridgerton! Oh My! -- Case Study: Black England -- Where Are Thou Waldo? -- Amsterdam? Amsterdam. -- Case Study: What Goes Around Keeps Going -- Ne Touche Pas À Mes Cheveux (Don't Touch My Hair) -- Case Study: Seriously Don't Touch It -- Turbans, Orientalism, And Pumpkin-Spiced Lattes -- Faces -- Part 2. The Artists: Before The Harlem Renaissance -- Robert Seldon Duncanson (c. 1821-1872): The House Painter Turned Master Artist -- Edward Mitchell Bannister (1828-1901): The Art Prodigy Turned National Award Winner -- Edmonia Lewis (c. 1844-1907): The Self-Taught Sculptor Turned Celebrity -- Henry Ossawa Tanner (1859-1937): The Young Dreamer Turned BLK ART Icon -- But Wait, There's More? -- A Final Note. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world. Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It's clear that modern day museums can no longer exist without change--and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris--this is Black history like never seen before."-- |
| Assigning source |
Publisher marketing. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Black people in art. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Artists, Black. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
African Americans in art. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
African American artists. |
| 9 (RLIN) |
84971 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, Black. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
African American art. |
| 9 (RLIN) |
94663 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, Modern |
| General subdivision |
Themes, motives. |
| 9 (RLIN) |
377503 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, Modern |
| Chronological subdivision |
19th century. |
| 9 (RLIN) |
24088 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, Modern |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
12554 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
African American art |
| Chronological subdivision |
19th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
African American art |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, European |
| Chronological subdivision |
19th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, European |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
132345 |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Art criticism. |
| Source of term |
lcgft |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Illustrated works. |
| Source of term |
lcgft |
| 9 (RLIN) |
4636 |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
