MARC details
| 000 -LEADER |
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| fixed length control field |
04765cam a2200481 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1119779277 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230321122720.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
191023t20202020mauac b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2019043563 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
MH/DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
UKMGB |
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OCLCF |
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YDX |
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L2U |
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OCLCO |
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OCLCO |
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JYJ |
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UND |
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OCL |
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OCLCO |
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NFG |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
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| National bibliography number |
GBC015846 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
019699761 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780674919228 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
067491922X |
| Qualifying information |
(hardcover) |
| 024 8# - OTHER STANDARD IDENTIFIER |
|---|
| Standard number or code |
40030365756 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1119779277 |
| 037 ## - SOURCE OF ACQUISITION |
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| Stock number |
W021690 |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
n-us--- |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
704.0869 |
| Item number |
F595 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Fleetwood, Nicole R., |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Marking time : |
| Remainder of title |
art in the age of mass incarceration / |
| Statement of responsibility, etc |
Nicole R. Fleetwood. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Place of production, publication, distribution, manufacture |
Cambridge, Massachusetts : |
| Name of producer, publisher, distributor, manufacturer |
Harvard University Press, |
| Date of production, publication, distribution, manufacture |
2020. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Date of production, publication, distribution, manufacture |
©2020 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxvi, 323 pages : |
| Other physical details |
illustrations (some color), portraits ; |
| Dimensions |
22 cm |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
still image |
| Content Type Code |
sti |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
|---|
| General note |
"Through Apr 4, 2021, MoMA P.S.1. -- This major exhibition explores the work of artists within US prisons and the centrality of incarceration to contemporary art and culture. Featuring art made by people in prisons and work by nonincarcerated artists concerned with state repression, erasure, and imprisonment, Marking Time: Art in the Age of Mass Incarceration highlights more than 35 artists, including American Artist, Tameca Cole, Russell Craig, James 'Yaya' Hough, Jesse Krimes, Mark Loughney, Gilberto Rivera, and Sable Elyse Smith. The exhibition has been updated to reflect the growing COVID-19 crisis in US prisons, featuring new works by exhibition artists made in response to this ongoing emergency."--Page S. 1 Contemporary Art Center website (viewed on October 15, 2020) |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (pages 265-296) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Carceral aesthetics: penal space, time, and matter -- |
| -- |
State goods: clandestine practices and prison art collectives -- |
| -- |
Captured by the frame: photographic studies of prisoners -- |
| -- |
Interior subjects: portraits by incarcerated artists -- |
| -- |
Fraught imaginaries: collaborative art in prison -- |
| -- |
Resisting isolation: art in solitary confinement -- |
| -- |
Posing in prison: family photographs, practices of belonging, and carceral landscapes. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"-- |
| Assigning source |
Provided by publisher |
| 545 0# - BIOGRAPHICAL OR HISTORICAL DATA |
|---|
| Biographical or historical note |
Nicole R. Fleetwood is Professor of American Studies and Art History at Rutgers University. Her work on art and mass incarceration has been featured at the Aperture Foundation and the Zimmerli Museum of Art and her exhibitions have been praised by The Nation, the New York Times, The New Yorker, and the Village Voice. She is the author of On Racial Icons and the prizewinning Troubling Vision. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Prisoners as artists |
| Geographic subdivision |
United States. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Arts in prisons |
| Geographic subdivision |
United States. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Art, American |
| General subdivision |
Political aspects. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Imprisonment |
| General subdivision |
Social aspects |
| Geographic subdivision |
United States. |
| 9 (RLIN) |
251345 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
P.S. 1 Contemporary Art Center, |
| Relator term |
host institution. |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
