MARC details
| 000 -LEADER |
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| fixed length control field |
04169cam a22004098i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1343870455 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230518152528.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
220902s2023 iluaf e b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2022042607 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
ICU/DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
YDX |
| -- |
OCLCF |
| -- |
BDX |
| -- |
TOH |
| -- |
UKMGB |
| -- |
JAS |
| -- |
JCX |
| -- |
LE# |
| -- |
NFG |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
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| National bibliography number |
GBC338975 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
020965001 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780226110943 |
| Qualifying information |
(cloth) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
022611094X |
| Qualifying information |
(cloth) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1343870455 |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
n-us-il |
| -- |
n-us--- |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
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| Classification number |
782.4216 |
| Item number |
G915 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
NFGA |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Guarino, Mark, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
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| Title |
Country & midwestern : |
| Remainder of title |
Chicago in the history of country music and the folk revival / |
| Statement of responsibility, etc |
Mark Guarino. |
| 246 33 - VARYING FORM OF TITLE |
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| Title proper/short title |
Country and midwestern : |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
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| Place of production, publication, distribution, manufacture |
Chicago : |
| Name of producer, publisher, distributor, manufacturer |
The University of Chicago Press, |
| Date of production, publication, distribution, manufacture |
2023. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xi, 524 pages, 32 unnumbered pages of plates : |
| Other physical details |
illustrations ; |
| Dimensions |
23 cm |
| 336 ## - CONTENT TYPE |
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| Content Type Term |
text |
| Content Type Code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media Type Term |
unmediated |
| Media Type Code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier Type Term |
volume |
| Carrier Type Code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The WLS Barn Dance and the Call to Chicago -- "Hillbilly Heaven" in Chicago: Uptown and Skid Row -- The Gate of Horn and the Chicago Folk Revival -- Win Stracke and the Old Town School of Folk Music -- Bohemia in Hyde Park: The University of Chicago Folk Festival -- Chicago's Second Folk Boom: The 1970s in Old Town and Lincoln Park -- Country Music Surges and Bluegrass Arrives -- "Insurgent Country": Looking Backward to Go Forward -- The Old, Weird Chicago -- Acknowledgments -- Appendix A. Chicago in Song -- Appendix B. Essential Chicago Country and Folk Albums. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
"Chicago is recognized around the world for its place in the history of jazz, gospel, and the blues. Far less known is the surprisingly important role Chicago played in country music and the folk revival. Drawing on hundreds of interviews and deep archival research, Mark Guarino tells a forgotten story of music in Chicago and reveals how the city's institutions and personalities influenced sounds we today associate with regions further south. It is a story of migration and of the ways that rural communities became tied to growing urban centers through radio, the automobile, and the railroad. As the biggest city in the agricultural Midwest, Chicago became a place where rural folk could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, Chicago was the most active city for the genre's musicians and record labels. In the mid-1920s, the stars of WLS radio's Barn Dance modernized the sounds of country fiddlers and polished the mountain tunes of Appalachia for contemporary ears. By the 1940s, Chicago had the greatest concentration of country musicians in the US. Bill Monroe, The Carter Family, and Gene Autry all recorded some of their most legendary music in Chicago. When the larger recording industry drifted to the coasts after World War II, Chicago became known for working folk musicians who could freely experiment, collaborate, and perform at a distance from the sometimes stifling star structure of Nashville's Music Row. Guarino tells the stories of the Chicago hustlers who evolved new strains of country music in the city's bars, punk clubs, classrooms, and auditoriums. The College of Complexes, The Gate of Horn, the Earl of Old Town, the Old Town School of Folk Music, Club Lower Links, and Lounge Ax served as creative incubators for different generations of music. Steel Hills and Concrete Valleys is a story as vital as the city itself, a celebration of the colorful characters who kept country and folk moving forward, and of the music itself, which even today is still kicking down doors"-- |
| Assigning source |
Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Country music |
| Geographic subdivision |
Illinois |
| -- |
Chicago |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Folk music |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 9 (RLIN) |
59466 |
| 655 #7 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Informational works. |
| Source of term |
lcgft |
| 9 (RLIN) |
222299 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Fulks, Robbie, |
| Relator term |
author of foreword. |
| 9 (RLIN) |
65611 |
| 994 ## - |
|---|
| -- |
C0 |
| -- |
NFG |
