MARC details
000 -LEADER |
fixed length control field |
03747cam a2200445 i 4500 |
001 - CONTROL NUMBER |
control field |
on1360260773 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230927130435.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
230117s2023 nyuaf b 001 0deng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2023002123 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
OCLCF |
-- |
TOH |
-- |
CHY |
-- |
ILC |
-- |
RES |
-- |
JRG |
-- |
IUO |
-- |
VP@ |
-- |
OCLCO |
-- |
NYP |
-- |
NFG |
019 ## - |
-- |
1395391754 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780306829772 |
Qualifying information |
(hardcover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0306829770 |
Qualifying information |
(hardcover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780306829789 |
Qualifying information |
(paperback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0306829789 |
Qualifying information |
(paperback) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1360260773 |
Canceled/invalid control number |
(OCoLC)1395391754 |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
782.4216 |
Item number |
B983 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NFGA |
245 00 - TITLE STATEMENT |
Title |
But will you love me tomorrow? : |
Remainder of title |
an oral history of the '60s girl groups / |
Statement of responsibility, etc |
[compiled by] Laura Flam and Emily Sieu Liebowitz. |
250 ## - EDITION STATEMENT |
Edition statement |
First edition. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
Place of production, publication, distribution, manufacture |
New York, NY : |
Name of producer, publisher, distributor, manufacturer |
Hachette Books, |
Date of production, publication, distribution, manufacture |
2023. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xiii, 434 pages, 16 unnumbered pages of plates : |
Other physical details |
illustrations ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content Type Term |
text |
Content Type Code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media Type Term |
unmediated |
Media Type Code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier Type Term |
volume |
Carrier Type Code |
nc |
Source |
rdacarrier |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction -- The beginnings of the girl group sound: the 1950s -- The sound on the street: 1960-1963 -- Hitsville USA: 1960-1963 -- Topping the charts: 1963-1964 -- Motown becomes the sound of Young America: 1964-1966 -- The end of an era: 1965-1970 -- Motown outgrows Detroit: 1967-present -- Coming back together and saying goodbye: 1970-present. |
520 ## - SUMMARY, ETC. |
Summary, etc |
"The Girl Group Sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mix of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to number one, Girl Groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. But the story of the Girl Group Sound is also one of race and power. The women, most of whom were Black and many of whom were only teenagers when their first songs were recorded, were cultivated, packaged, and sold by a music industry that cut them out of the lion's share of their profits. And though the women's careers would take them on tour with Civil Rights leaders and to performances at some of the earliest desegregated concerts, many found themselves cast aside as trends shifted in favor of the largely white British Invasion of the mid to late '60s. While the voices of the Girl Group Sound have become essential to the American canon, many of the artists remain all but anonymous to most listeners. Weaving together over 300 hours of interviews across more than ninety subjects, But Will You Love Me Tomorrow: An Oral History of the '60s Girl Groups gives voice to the many women of the era who have long been consigned to silence. Through the chorus formed by their collective voice in these pages, But Will You Love Me Tomorrow is a distinctly American coming-of-age story-it's a story of girls finding their footing as young women, of artistic success and struggle, and of the inequity faced by women of color in this country"-- |
Assigning source |
Provided by publisher. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (pages 417-421) and index. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Girl groups (Musical groups) |
General subdivision |
History |
Chronological subdivision |
20th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Popular music |
Chronological subdivision |
1961-1970 |
General subdivision |
History and criticism. |
9 (RLIN) |
267729 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Women singers. |
9 (RLIN) |
45197 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
African American women singers. |
9 (RLIN) |
380676 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Music and race |
Geographic subdivision |
United States |
General subdivision |
History |
Chronological subdivision |
20th century. |
9 (RLIN) |
267846 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Oral histories. |
Source of term |
lcgft |
9 (RLIN) |
252335 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Flam, Laura, |
Relator term |
compiler. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Liebowitz, Emily Sieu, |
Relator term |
compiler. |
994 ## - |
-- |
C0 |
-- |
NFG |