Smoke ring for my halo [sound recording] / Kurt Vile.
Material type:![Music](/opac-tmpl/lib/famfamfam/MU.png)
- Produced by John Agnello with Kurt Vile & the Violators.
Item type | Home library | Collection | Call number | Materials specified | Status | Notes | Date due | Barcode | Item holds | |
---|---|---|---|---|---|---|---|---|---|---|
![]() |
Main Library | CD | POP/ROCK Vile, Kurt | Available | Cover insert has been wet. 5/20/14 | 33111007377522 |
Enhanced descriptions from Syndetics:
Philly-based singer/songwriter Kurt Vile lit up the indie rock radar in 2009 with his cynical, lo-fi, classic rock-meets-N.Y.C. proto-punk Matador debut. Fans of the visceral, D.I.Y. fuzz-folk that dominated Childish Prodigy may be taken aback by the production upgrade on Smoke Ring for My Halo, but the cleaner sound doesn’t mean that the floors aren’t still filthy. Channeling everyone from the Dead to Mellow Gold-era Beck to Lou Reed, Vile comes off as malcontent, but there’s an oddball warmth behind his laconic sneer that echoes the late slacker comedian Mitch Hedberg; for every “I wanna write my whole life down/burn it there to the ground” ("On Tour"), there’s an “If it ain’t workin’, take a whiz on the world” ("Runner Ups"). Sweeter and a little more soulful than Prodigy, Halo leans harder on the urban folk side of Vile's disposition (the album opens with a straight-up love song), but tracks like the churning “Puppet to the Man” and “Society Is My Friend” pick up where Prodigy stompers like “Freak Train” and “Overnight Religion” left off. Vile's guitar work remains predictably strong, especially on the fingerpicked “Peeping Tomboy” and the shimmery title cut, but it’s his efforltess, serpentine melodies and amiable, burnout wisdom that keep the listener so enthralled. In an age where angst is delivered with the subtlety of a laser light show, it’s nice to hear some good, old-fashioned, smokin’-and-drinkin’-cheap-beers-on-the-porch-with-your-friends-style pessimism. [The two-disc, deluxe edition of Smoke Ring for My Halo adds six bonus cuts to the set, including "The Creature", "It's Alright", "Life's a Beach", "Laughing Stock", "Downbound Train" and "(so outta reach)". ~ James Christopher Monger
Compact disc.
Lyrics on container insert.
Baby's arms -- Jesus fever -- Puppet to the man -- On tour -- Society is my friend -- Runner ups -- In my time -- Peeping tomboy -- Smoke ring for my halo -- Ghost town.
Produced by John Agnello with Kurt Vile & the Violators.
Kurt Vile, vocals, guitars, keyboards ; with acc. musicians.
Recorded (mostly) in March & May 2010 at Magic Shop, NYC, Water Music, Hoboken, NJ and Minor Street, Philadelphia, PA.
Singer-songwriter Kurt Vile returns with a layered record, ranging from the tender breezy folk in Jesus Fever to the tough urban guitar riff of Puppet to the Man, his distinctive Philly-accented vocals tie together in a project that is an American psychedelic folk album.