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It happens in the dark / Carol O'Connell.

By: Material type: TextTextSeries: O'Connell, Carol, Mallory novel ; bk. 11. | Thorndike Press large print core seriesPublisher: Waterville, Maine : Thorndike Press, 2013Edition: Large print editionDescription: 593 pages (large print) ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1410461440 (hardcover)
  • 9781410461445 (hardcover)
Subject(s): Genre/Form: Summary: The reviews called it "A Play to Die For" after a woman was found dead in the front row. It didn't seem so funny the next night, when another body was found -- this time the playwright's. Detective Kathy Mallory takes over, but no matter what she asks, no one seems to be giving her a straight answer. The only person -- if "person" is the right word -- who seems to be clear is the ghostwriter. Every night, an unseen backstage hand chalks up line changes and messages on a blackboard. And the ghostwriter is now writing Mallory into the play itself, a play about a long-ago massacre that may not be at all fictional. "Mallory," the blackboard now reads, "tonight's the night. Nothing personal."
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Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode Item holds
Large Print Book Large Print Book Main Library Large Print Fiction MYSTERY O'Connel Carol Available 33111007474683
Total holds: 0

Enhanced descriptions from Syndetics:

The astonishing new Mallory novel from the New York Times-bestselling author and one of the most acclaimed crime writers in America.
The reviews called it "A Play to Die For" after the woman was found dead in the front row. It didnt seem so funny the next night, when another body was found--this time the playwrights, his throat slashed.
Detective Kathy Mallory takes over, but no matter what she asks, no one seems to be giving her a straight answer. The only person--if "person" is the right word--who seems to be clear is the ghostwriter. Every night, an unseen backstage hand chalks up line changes and messages on a blackboard. And the ghostwriter is now writing Mallory into the play itself, a play about a long-ago massacre that may not be at all fictional. "MALLORY," the blackboard reads. "TONIGHTS THE NIGHT. NOTHING PERSONAL."
If Mallory cant find out whos responsible, heads will roll. Unfortunately, one of them may be her own.

The reviews called it "A Play to Die For" after a woman was found dead in the front row. It didn't seem so funny the next night, when another body was found -- this time the playwright's. Detective Kathy Mallory takes over, but no matter what she asks, no one seems to be giving her a straight answer. The only person -- if "person" is the right word -- who seems to be clear is the ghostwriter. Every night, an unseen backstage hand chalks up line changes and messages on a blackboard. And the ghostwriter is now writing Mallory into the play itself, a play about a long-ago massacre that may not be at all fictional. "Mallory," the blackboard now reads, "tonight's the night. Nothing personal."

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