Secondhand time : the last of the Soviets / Svetlana Alexievich ; translated by Bela Shayevich.
Material type:
TextLanguage: English Original language: Russian Publisher: New York : Random House, [2016]Edition: First U.S. EditionDescription: xiv, 470 pages ; 25 cmContent type: - text
- unmediated
- volume
- 9780399588808 (hardback : acid-free paper)
- 0399588809 (hardback : acid-free paper)
- Second hand time
- Vremi︠a︡ sekond khėnd. English
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|
Adult Book
|
Main Library | NonFiction | 947.086 A366 | Available | 33111008056786 |
Enhanced descriptions from Syndetics:
NEW YORK TIMES BESTSELLER * The magnum opus and latest work from Svetlana Alexievich, the 2015 winner of the Nobel Prize in Literature--a symphonic oral history about the disintegration of the Soviet Union and the emergence of a new Russia
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND PUBLISHERS WEEKLY * LOS ANGELES TIMES BOOK PRIZE WINNER
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The New York Times * The Washington Post * The Boston Globe * The Wall Street Journal * NPR * Financial Times * Kirkus Reviews
When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize, it cited her for inventing "a new kind of literary genre," describing her work as "a history of emotions--a history of the soul." Alexievich's distinctive documentary style, combining extended individual monologues with a collage of voices, records the stories of ordinary women and men who are rarely given the opportunity to speak, whose experiences are often lost in the official histories of the nation.
In Secondhand Time, Alexievich chronicles the demise of communism. Everyday Russian citizens recount the past thirty years, showing us what life was like during the fall of the Soviet Union and what it's like to live in the new Russia left in its wake. Through interviews spanning 1991 to 2012, Alexievich takes us behind the propaganda and contrived media accounts, giving us a panoramic portrait of contemporary Russia and Russians who still carry memories of oppression, terror, famine, massacres--but also of pride in their country, hope for the future, and a belief that everyone was working and fighting together to bring about a utopia. Here is an account of life in the aftermath of an idea so powerful it once dominated a third of the world.
A magnificent tapestry of the sorrows and triumphs of the human spirit woven by a master, Secondhand Time tells the stories that together make up the true history of a nation. "Through the voices of those who confided in her," The Nation writes, "Alexievich tells us about human nature, about our dreams, our choices, about good and evil--in a word, about ourselves."
Praise for Svetlana Alexievich and Secondhand Time
"The nonfiction volume that has done the most to deepen the emotional understanding of Russia during and after the collapse of the Soviet Union of late is Svetlana Alexievich's oral history Secondhand Time ." --David Remnick, The New Yorker
"Like the greatest works of fiction, Secondhand Time is a comprehensive and unflinching exploration of the human condition. . . . In its scope and wisdom, Secondhand Time is comparable to War and Peace ." -- The Wall Street Journal
"Already hailed as a masterpiece across Europe, Secondhand Time is an intimate portrait of a country yearning for meaning after the sudden lurch from Communism to capitalism in the 1990s plunged it into existential crisis." -- The New York Times
"This is the kind of history, otherwise almost unacknowledged by today's dictatorships, that matters." -- The Christian Science Monitor
"In this spellbinding book, Svetlana Alexievich orchestrates a rich symphony of Russian voices telling their stories of love and death, joy and sorrow, as they try to make sense of the twentieth century." --J. M. Coetzee
First published in Russian in 2013.
"From the 2015 winner of the Nobel Prize in Literature, Svetlana Alexievich, comes the first English translation of her latest work, an oral history of the disintegration of the Soviet Union and the emergence of a new Russia. Bringing together dozens of voices in her distinctive documentary style, Secondhand Time is a monument to the collapse of the USSR, charting the decline of Soviet culture and speculating on what will rise from the ashes of communism. As in all her books, Alexievich gives voice to women and men whose stories are lost in the official narratives of nation-states, creating a powerful alternative history from the personal and private stories of individuals"-- Provided by publisher.
"Bringing together dozens of voices in her distinctive style of oral history, Secondhand Time is a monument to the collapse of the USSR, charting the decline of Soviet culture and speculating on what will rise from the ashes of Communism. As in all her books, Alexievich gives voice to women and men whose stories are lost in the official narratives of nation-states, creating a powerful alternative history from the personal and private stories of individuals. When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize in Literature, they praised her 'polyphonic writings, a monument to suffering and courage in our time,' and cited her for inventing 'a new kind of literary genre.' Sara Danius, the permanent secretary of the Swedish Academy, added that her work comprises 'a history of emotions--a history of the soul'"-- Provided by publisher.
Chronology -- Remarks from an accomplice -- I. The Consolation of Apocalypse -- Snatches of street noise and kitchen conversations (1991-2001) -- Ten Stories in a Red Interior -- On the beauty of dictatorship and the mystery of butterflies in cement -- On brothers and sisters, victims and executioners...and the electorate -- On cries and whispers...and exhilaration -- On the lonely red marshal and three days of forgotten revolution -- On the mercy of memories and the lust for meaning -- On a different Bible and a different kind of believer -- On the cruelty of the flames and salvation from above -- On the sweetness of suffering and the trick of the Russian soul -- On a time when anyone who kills believes that they are serving God -- On the little red flag and the smile of the axe -- II. The Charms of Emptiness -- Snatches of street noise and kitchen conversations (2002-2012) -- Ten Stories In The Absence of an Interior -- On Romeo and Juliet...except their names were Margarita and Abulfaz -- On people who instantly transformed after the fall of communism -- On a loneliness that resembles happiness -- On wanting to kill them all and the horror of realizing you really wanted to do it -- On the old crone with a braid and the beautiful young woman -- On a Stranger's Grief that God has deposited on your doorstep -- On life the bitch and one hundred grammes of fine powder in a little white vase -- On how nothing disgusts the dead and the silence of dust -- On the darkness of the evil one and "the other life we can build out of this one" -- On courage and what comes after -- Notes from an everywoman.
Includes bibliographical references.
Translated from the Russian.