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I'll take you there : a novel / Wally Lamb.

By: Material type: TextTextPublisher: New York, NY : HarperLuxe, an imprint of HarperCollinsPublishers, [2016]Edition: First HarperLuxe editionDescription: 329 pages (large print) ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780062657473
  • 006265747X
Other title:
  • I will take you there
Subject(s): Genre/Form: Summary: Film scholar Felix Funicello from Wishin' and Hopin' is confronted by the ghost of a Hollywood silent film director who invites him to revisit scenes from his past and gain insights into the lives of three women who indelibly shaped his life.Summary: Felix, a film scholar who runs a Monday night movie club in what was once a vaudeville theater, is confronted by the ghost of Lois Weber, a trailblazing motion picture director from Hollywood's silent film era. Lois invites Felix to revisit scenes from his past as they are projected onto the cinema's big screen. There's his daughter Aliza, a Gen Y writer for New York Magazine who is trying to align her post-modern feminist beliefs with her lofty career ambitions; his sister, Frances, with whom he once shared a complicated bond of kindness and cruelty; and Verna, a fiery would-be contender for the 1951 Miss Rheingold competition.
Fiction notes: Click to open in new window
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode Item holds
Large Print Book Large Print Book Main Library Large Print Fiction Lamb Wally Available 33111008506111
Total holds: 0

Enhanced descriptions from Syndetics:

In this radiant homage to the resiliency, strength, and power of women, Wally Lamb--author of numerous New York Times bestselling novels including She's Come Undone, I Know This Much is True, and We Are Water--weaves an evocative, deeply affecting tapestry of one Baby Boomer's life and the trio of unforgettable women who have changed it.

I'll Take You There centers on Felix, a film scholar who runs a Monday night movie club in what was once a vaudeville theater. One evening, while setting up a film in the projectionist booth, he's confronted by the ghost of Lois Weber, a trailblazing motion picture director from Hollywood's silent film era. Lois invites Felix to revisit--and in some cases relive--scenes from his past as they are projected onto the cinema's big screen.

In these magical movies, the medium of film becomes the lens for Felix to reflect on the women who profoundly impacted his life. There's his daughter Aliza, a Gen Y writer for New York Magazine who is trying to align her post-modern feminist beliefs with her lofty career ambitions; his sister, Frances, with whom he once shared a complicated bond of kindness and cruelty; and Verna, a fiery would-be contender for the 1951 Miss Rheingold competition, a beauty contest sponsored by a Brooklyn-based beer manufacturer that became a marketing phenomenon for two decades. At first unnerved by these ethereal apparitions, Felix comes to look forward to his encounters with Lois, who is later joined by the spirits of other celluloid muses.

Against the backdrop of a kaleidoscopic convergence of politics and pop culture, family secrets, and Hollywood iconography, Felix gains an enlightened understanding of the pressures and trials of the women closest to him, and of the feminine ideals and feminist realities that all women, of every era, must face.

Film scholar Felix Funicello from Wishin' and Hopin' is confronted by the ghost of a Hollywood silent film director who invites him to revisit scenes from his past and gain insights into the lives of three women who indelibly shaped his life.

Felix, a film scholar who runs a Monday night movie club in what was once a vaudeville theater, is confronted by the ghost of Lois Weber, a trailblazing motion picture director from Hollywood's silent film era. Lois invites Felix to revisit scenes from his past as they are projected onto the cinema's big screen. There's his daughter Aliza, a Gen Y writer for New York Magazine who is trying to align her post-modern feminist beliefs with her lofty career ambitions; his sister, Frances, with whom he once shared a complicated bond of kindness and cruelty; and Verna, a fiery would-be contender for the 1951 Miss Rheingold competition.

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