Happy baby : a novel / Stephen Elliott.
Material type:
TextPublisher: Minneapolis, Minnesota : Graywolf Press, 2017Description: 191 pages ; 21 cmContent type: - text
- unmediated
- volume
- 1555977766
- 9781555977764
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|
Adult Book
|
Main Library | Fiction | Elliott, Stephen | Available | 33111008844397 |
Enhanced descriptions from Syndetics:
"Heartbreakingly and bewilderingly alive in a way most bigger books can't even imagine." -- Salon
On a flight from Oakland to Chicago, Theo thinks about two women he left behind: Maria, the girlfriend who shared his troubled youth, and Ambellina, the woman who has been satisfying the masochistic desires that emerged from it. His return to Chicago, and Maria, spurs the backward movement of this innovative novel that chases him ever deeper into the darkness and violence of his past.
As a boy, Theo was shuffled from juvenile delinquent centers to foster homes, picking up odd jobs, addictions, and ill-fitting relationships along the way. Scenes of abuse and heartache are revealed chapter by chapter, but our discovery of his dignity and humanity continues, even when we are finally confronted with the eleven-year-old child who barely remembers what it feels like to be safe.
In this beautiful and brutal novel, Stephen Elliott follows in the footsteps of writers like Hubert Selby and Dennis Cooper, of "sexual truth-tellers" like Jean Genet and Marguerite Duras. Elliott writes with raw honesty and a tight yet lyric prose style that cuts through the fog of memory to get at the core of youth, pain, and what it means to be an outsider.
" Happy Baby is surely the most intelligent and beautiful book ever written about juvenile detention centers, sadomasochism, and drugs . . . Heartbreaking." --Curtis Sittenfeld, The New York Times Book Review
Stephen Elliott's new novel, Happy Baby, explores how pain can define desire, how the future becomes the past, and how grace struggles with self-destruction. The story, told in reverse, begins with thirty-six-year-old Theo and his search for sexual and emotional freedom, and slowly unravels back to a childhood of abuse in the juvenile detention centers of Chicago. Without judgment, Elliott traces a life defined by yearning--for love, for pain, for certainty. His clear words and unflinching gaze reveal the difficulty of simple truths and the possibility of transcendence in the face of unforgivable crimes.