The grave on the wall / Brandon Shimoda.
Material type:
TextPublisher: San Francisco : City Lights Books, [2019]Description: [209] pages : illustrations ; 21 cmContent type: - text
- unmediated
- volume
- 9780872867901
- 0872867900
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|
Adult Book
|
Main Library | Biography | Shimoda, M. S556 | Available | 33111009689817 |
Enhanced descriptions from Syndetics:
Winner of the 2020 PEN Open Book Award
Best of 2019: Nonfiction - Entropy Magazine
A memoir and book of mourning, a grandson's attempt to reconcile his own uncontested citizenship with his grandfather's lifelong struggle.
Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life--child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen--mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting.
Praise for The Grave on the Wall:
"Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. ... It is at once wistful and devastating to see Midori's life come full circle ... In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."--Booklist, starred review
"In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."--Karen Tei Yamashita, author of Letters to Memory
"Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo's Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."--Myriam Gurba, author of Mean
"Within this haunted sepulcher built out of silence, loss, and grief--its walls shadowed by the traumas of racial oppression and violence--a green river lined with peach trees flows beneath a bridge that leads back to the grandson."--Jeffrey Yang, author of Hey, Marfa: Poems
"It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces--through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."--Don Mee Choi, author of Hardly War
"Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa's FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."--Sesshu Foster, author of City of the Future
"Shimoda is a mystic writer ... He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. ... he has written a book that touches the bottom of my own soul."--Bhanu Kapil, author of Ban en Banlieue
"The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured--a ritual frisson, a veracity of spirit. I am grateful to have traveled along."--Trisha Low, The Believer
"It's not just a document from which Brandon Shimoda untangles the dead, but it's a portal through which the ghosts can show themselves to him. To exchange that kind of attention between the living and the dead is love."--Zachary Schomburg, Willamette Week
"Born on an island off the cost of Hiroshima around 1908, Midori Shimoda died in North Carolina in 1996, after suffering from Alzheimer's disease for two decades. A photographer, he was incarcerated in a Department of Justice prison during WWII under suspicion of being a spy for Japan. From his birth to contract laborer/picture-bride parents to his immigration and prewar life in Seattle's Nihonmachi, to wartime incarceration and postwar resettlement in New York City, his is a story of a man and a family vying for the American dream earnestly, but not without some bitterness. Poet Brandon Shimoda has crafted a lyrical-collage portrait of a grandfather he barely knew, and a moving meditation on memory and forgetting. The book begins with Midori's first memory (washing the feet of his own grandfather's corpse) and ends with the author's last memory of him. In between are vignettes of camellia blossoms, picture brides, suicidal monks, ancestral fires, great-grandmothers, bathhouses, atomic bomb survivors, paintings, photographs, burial mounds, golden pavilions, and dementia. In a series of pilgrimages he makes, from his own home in the Arizona desert to the family's ancestral village in Japan, to a Montana museum of WWII detention where he discovers a previously unknown photographic portrait of his grandfather, Shimoda records the search to find his grandfather--and therefore himself"-- Provided by publisher.
The period of summoning relatives -- Faces -- The night of the day my grandfather died -- Death Valley -- The house that no longer exists -- The camphor tree -- The woman in the well -- Great grandmothers -- People of the first year -- The first Japanese to be photographed -- The characters -- Daimonji -- Dreams -- Nagasaki -- The bathhouse -- Domanju -- Miyajima -- Shirakami -- August 6, 2011 -- Tohoku -- Margaret Ichino -- Monument Valley -- Department of Justice (letter from Dan B. Shields to Edward J. Ennis) -- Fort Missoula -- Dreams -- New York City -- African burial ground -- Thunder Hill -- The inland sea -- The Temple of the Golden Pavilion.
Includes bibliographical references.