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The Nolan variations : the movies, mysteries, and marvels of Christopher Nolan / Tom Shone.

By: Material type: TextTextPublisher: New York : Alfred A. Knopf, 2020Copyright date: ©2020Edition: First editionDescription: 381 pages : illustrations (some color), color map ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780525655329
  • 0525655328
Subject(s): Summary: "A rare, intimate portrait of Christopher Nolan with the full cooperation of Nolan himself who opened up more fully than ever before in his talks with Tom Shone. In chapters structured by themes and motifs (Time; Chaos), Shone writes of Nolan's thoughts on movies, on plots; on time, identity, perception, chaos, daydreams. Here is Nolan on the evolution of his pictures, and the writers, artists, directors, and thinkers who have inspired and informed his films. To write the book, Tom Shone, who has known Nolan for more than two decades and who spent months with the director, was given unprecedented access to Nolan's notes, scripts, storyboards, and artwork. In this riveting portrait of an artist, Shone deftly navigates Nolan's themes, influences, and working methods (both in writing and directing). Here is his trans-Atlantic childhood (It makes you feel very differently about the concept of 'home') . . . how he dreamed up the plot of Inception lying awake one night in his dorm (I prized the imaginative space of listening to music in the dark, thinking about things, imagining things, films, stories) . . . his color-blindness and its effect on Memento (People are fascinated by other people's perception of the world and the way in which it differs) . . . his obsession with puzzles and optical illusions . . . and much, much more."-- Provided by publisher.
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Main Library NonFiction 791.4302 S559 Available 33111010428494
Total holds: 0

Enhanced descriptions from Syndetics:

An in-depth look at Christopher Nolan, considered to be the most profound, commercially successful director at work today, written with his full cooperation. A rare, revelatory portrait, "as close as you're ever going to get to the Escher drawing that is Christopher Nolan's remarkable brain" (Sam Mendes).

In chapters structured by themes and motifs ("Time"; "Chaos"; "Dreams"), Shone offers an unprecedented intimate view of the director. Shone explores Nolan's thoughts on his influences, his vision, his enigmatic childhood past--and his movies, from plots and emotion to identity and perception, including his latest blockbuster, the action-thriller/spy-fi Tenet ("Big, brashly beautiful, grandiosely enjoyable"-- Variety ).

Filled with the director's never-before-seen photographs, storyboards, and scene sketches, here is Nolan on the evolution of his pictures, and the writers, artists, directors, and thinkers who have inspired and informed his films.

"Fabulous: intelligent, illuminating, rigorous, and highly readable. The very model of what a filmmaking study should be. Essential reading for anyone who cares about Nolan or about film for that matter."--Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood and Walt Disney, The Biography

Includes bibliographical references and index.

"A rare, intimate portrait of Christopher Nolan with the full cooperation of Nolan himself who opened up more fully than ever before in his talks with Tom Shone. In chapters structured by themes and motifs (Time; Chaos), Shone writes of Nolan's thoughts on movies, on plots; on time, identity, perception, chaos, daydreams. Here is Nolan on the evolution of his pictures, and the writers, artists, directors, and thinkers who have inspired and informed his films. To write the book, Tom Shone, who has known Nolan for more than two decades and who spent months with the director, was given unprecedented access to Nolan's notes, scripts, storyboards, and artwork. In this riveting portrait of an artist, Shone deftly navigates Nolan's themes, influences, and working methods (both in writing and directing). Here is his trans-Atlantic childhood (It makes you feel very differently about the concept of 'home') . . . how he dreamed up the plot of Inception lying awake one night in his dorm (I prized the imaginative space of listening to music in the dark, thinking about things, imagining things, films, stories) . . . his color-blindness and its effect on Memento (People are fascinated by other people's perception of the world and the way in which it differs) . . . his obsession with puzzles and optical illusions . . . and much, much more."-- Provided by publisher.

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