The good hand : a memoir of work, brotherhood, and transformation in an American boomtown / Michael Patrick F. Smith.
Material type:
TextPublisher: [New York] : Viking, [2021]Description: 458 pages ; 24 cmContent type: - text
- unmediated
- volume
- 9781984881519
- 1984881515
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|
Adult Book
|
Dr. James Carlson Library | NonFiction | 331.7622 S655 | Available | 33111009810009 | ||||
|
Adult Book
|
Main Library | NonFiction | 331.7622 S655 | Available | 33111010476188 |
Enhanced descriptions from Syndetics:
"A book that should be read . . . Smith brings an alchemic talent to describing physical labor." -- The New York Times Book Review
"Beautiful, funny, and harrowing." - Sarah Smarsh, The Atlantic
"Remarkable . . . this is the book that Hillbilly Elegy should have been." -- Kirkus Reviews
A vivid window into the world of working class men set during the Bakken fracking boom in North Dakota
Like thousands of restless men left unmoored in the wake of the 2008 economic crash, Michael Patrick Smith arrived in the fracking boomtown of Williston, North Dakota five years later homeless, unemployed, and desperate for a job. Renting a mattress on a dirty flophouse floor, he slept boot to beard with migrant men who came from all across America and as far away as Jamaica, Africa and the Philippines. They ate together, drank together, argued like crows and searched for jobs they couldn't get back home. Smith's goal was to find the hardest work he could do--to find out if he could do it. He hired on in the oil patch where he toiled fourteen hour shifts from summer's 100 degree dog days to deep into winter's bracing whiteouts, all the while wrestling with the demons of a turbulent past, his broken relationships with women, and the haunted memories of a family riven by violence.
The Good Hand is a saga of fear, danger, exhaustion, suffering, loneliness, and grit that explores the struggles of America's marginalized boomtown workers--the rough-hewn, castoff, seemingly disposable men who do an indispensable job that few would exalt: oil field hands who, in the age of climate change, put the gas in our tanks and the food in our homes. Smith, who had pursued theater and played guitar in New York, observes this world with a critical eye; yet he comes to love his coworkers, forming close bonds with Huck, a goofy giant of a young man whose lead foot and quick fists get him into trouble with the law, and The Wildebeest, a foul-mouthed, dip-spitting truck driver who torments him but also trains him up, and helps Smith "make a hand."
The Good Hand is ultimately a book about transformation--a classic American story of one man's attempt to burn himself clean through hard work, to reconcile himself to himself, to find community, and to become whole.
"A vivid window into the world of working class men and the value of hard labor, set during the Bakken fracking boom in North Dakota Shiftless and unsatisfied in his life, Michael Patrick Smith decided in his mid-thirties to seek out the hardest work he could find, to see if he could do it. He wanted to be a person, unlike his father, who knew how to work and get things done. He found himself in the oil fields of North Dakota during the Bakken fracking boom of 2013, where he spent a year as a swamper, assisting the truck drivers who hauled oil rigs from one site to another. The Good Hand is a saga of fear, danger, exhaustion, suffering, loneliness, and grit that explores the struggles and rewards of one of the most difficult jobs on the planet. In doing so, the story delves into the internal struggles of people who seem naturally drawn to hard work and hard luck--the rough-hewn, castoff, disposable men who populate boomtowns. As an oil field greenhorn, Smith finds the job is a continual battle; men are mocked and clobbered by equipment. But he comes to love the intensity and camaraderie, forming close bonds with a number of fellow workers, including Huck, an aw-shucks friendly young giant of a man who is constantly getting into trouble with the law, and "The Wildebeest," a truck driver in his fifties who initially torments Smith but later becomes instrumental in helping him to become "a good hand." Smith also examines his troubled relationship with his father--a trait that most of his coworkers seem to share--and draws fascinating parallels between his labor as an oil field hand and his previous careers in theatre and folk music. The Good Hand is ultimately a book about transformation--a classic American story about submitting to something elemental and larger than oneself. Smith discovers that the communities forged by hard work can awaken both the heart and the hands"-- Provided by publisher.