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My broken language : a memoir / Quiara Alegría Hudes.

By: Material type: TextTextPublisher: New York : One World, [2021]Edition: First editionDescription: xi, 316 pages ; 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780399590047
  • 0399590048
Subject(s): Genre/Form:
Contents:
A multilingual block in West Philly -- Spanish becomes a secret; language of the dead -- English is for atheism; language of woodworking -- A name that is a mask -- An English cousin comes to visit -- Language of the forest -- Latina health vocab from the late '80s -- Spanglish cousins on the New Jersey turnpike -- Body language -- Sophomore year English -- Things go unsaid long enough... -- Possession's voice -- Sedo buys me an upright; language of Bach -- Taíno petroglyphs -- Lukumí thrones -- Silence=death -- Unwritten recipes -- Yoruba vocabulary -- A racial slur -- A book is its presence and absence -- Mom's accent -- Dad buys me a typewriter -- She said Norf Philly and one-two-free -- Atonality -- Fania everything and salsa out-of-prints -- The serenity prayer -- Sterling Library -- The Foraker Act (on Boriken's-and the diaspora's-language history) -- Gil-Scott Heron asks me a question -- Writing's a muscle, it gets stronger -- Broken language -- On obscenity -- Cold drink became a play -- Silence=death (déjà vu all over again) -- The book of our genius.
Summary: "Quiara Alegria Hudes was the sharp-eyed girl on the stairs while her family danced in her grandmother's tight South Philly kitchen, "frizzy hair cut short, bangs teased into stiff clouds, sweat glistening in the summer fog, pamper-butt babies weaving between legs." Quiara was awed by her aunts and uncles and cousins, but haunted by the secrets of the family and the unspoken stories of the barrio -- even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering of powerful orishas with tragic wounds and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance; she'd have to find her language. This is an inspired exploration of home, family, memory, and belonging, narrated by the obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty"-- Provided by publisher.
List(s) this item appears in: Hispanic Heritage Month
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Dr. James Carlson Library Biography HUDES, Q. H884 Available 33111009803095
Adult Book Adult Book Main Library Biography HUDES, Q. H884 Available 33111010500862
Total holds: 0

Enhanced descriptions from Syndetics:

GOOD MORNING AMERICA BUZZ PICK * The Pulitzer Prize-winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse.

LONGLISTED FOR THE ANDREW CARNEGIE MEDAL * ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot * "Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories."--Lin-Manuel Miranda, award-winning creator of Hamilton and In the Heights

Quiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio--even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance. She'd have to find her language.

Weaving together Hudes's love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging--narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.

A multilingual block in West Philly -- Spanish becomes a secret; language of the dead -- English is for atheism; language of woodworking -- A name that is a mask -- An English cousin comes to visit -- Language of the forest -- Latina health vocab from the late '80s -- Spanglish cousins on the New Jersey turnpike -- Body language -- Sophomore year English -- Things go unsaid long enough... -- Possession's voice -- Sedo buys me an upright; language of Bach -- Taíno petroglyphs -- Lukumí thrones -- Silence=death -- Unwritten recipes -- Yoruba vocabulary -- A racial slur -- A book is its presence and absence -- Mom's accent -- Dad buys me a typewriter -- She said Norf Philly and one-two-free -- Atonality -- Fania everything and salsa out-of-prints -- The serenity prayer -- Sterling Library -- The Foraker Act (on Boriken's-and the diaspora's-language history) -- Gil-Scott Heron asks me a question -- Writing's a muscle, it gets stronger -- Broken language -- On obscenity -- Cold drink became a play -- Silence=death (déjà vu all over again) -- The book of our genius.

"Quiara Alegria Hudes was the sharp-eyed girl on the stairs while her family danced in her grandmother's tight South Philly kitchen, "frizzy hair cut short, bangs teased into stiff clouds, sweat glistening in the summer fog, pamper-butt babies weaving between legs." Quiara was awed by her aunts and uncles and cousins, but haunted by the secrets of the family and the unspoken stories of the barrio -- even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering of powerful orishas with tragic wounds and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance; she'd have to find her language. This is an inspired exploration of home, family, memory, and belonging, narrated by the obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty"-- Provided by publisher.

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