The Zoroastrian flame : exploring religion, history and tradition / edited by Alan Williams, Sarah Stewart & Almut Hintze.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- unmediated
- volume
- 9781784536336
- 1784536334
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
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Main Library | NonFiction | 295 Z88 | Available | 33111010749238 |
Enhanced descriptions from Syndetics:
For many centuries, from the birth of the religion late in the second millennium BC to its influence on the Achaemenids and later adoption in the third century AD as the state religion of the Sasanian Empire, it enjoyed imperial patronage and profoundly shaped the culture of antiquity. The Magi of the New Testament most probably were Zoroastrian priests from the Iranian world, while the enigmatic figure of Zarathushtra (or Zoroaster) himself has exerted continual fascination in the West, influencing creative artists as diverse as Voltaire, Nietzsche, Mozart and Yeats. This authoritative volume brings together internationally recognised scholars to explore Zoroastrianism in all its rich complexity. Examining key themes such as history and modernity, tradition and scripture, art and architecture and minority status and religious identity, it places the modern Zoroastrians of Iran, and the Parsis of India, in their proper contexts. The book extends and complements the coverage of its companion volume, The Everlasting Flame.
Includes bibliographical references and index.
"Zoroastrianism has always commanded interest way beyond the circles of its actual adherents. Its unbroken history and distinctive beliefs span three millennia, making it one of the world's most venerable faiths - and also a tradition whose ideas have found favour elsewhere. The Three Magi of the New Testament most probably were Zoroastrian priests from the Iranian world; while the enigmatic figure of Zarathushtra (or Zoroaster) himself has exerted continual fascination in the West, influencing the thought of creative artists as diverse as Voltaire, Nietzsche, Yeats and Mozart (whose opera The Magic Flute re-imagines Zoroaster as Sarastro). For many centuries, from the birth of the religion late in the second millennium BC to its later adoption in the third century AD as the state religion of the Sasanian empire, Zoroastrianism - enjoying imperial patronage - profoundly shaped the culture not just of Persia but the whole antique world. For much of its history since the Islamic conquest it has endured as a minority religion, representing a direct link back to the powerful Achaemenids and the ruling Persian dynasties that followed them. The remarkable Zoroastrian story began another chapter in India when, after partial exodus from Iran, the émigré community since the early ninth century has enjoyed religious freedom and in the modern period great economic success. Like many religious communities, Zoroastrians now have a diaspora spread all over the globe."--Front jacket flap.
Theme and approaches -- Antiquity and tradition -- Tradition and culture -- Modernity and minorities