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Sometimes you have to lie : the life and times of Louise Fitzhugh, renegade author of Harriet the spy / Leslie Brody.

By: Material type: TextTextPublisher: New York, NY : Seal Press, 2020Copyright date: ©2020Edition: First editionDescription: viii, 335 pages, 7 unnumbered pages of plates : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781580057691
  • 1580057691
Other title:
  • Life and times of Louise Fitzhugh, renegade author of Harriet the spy
Subject(s): Genre/Form:
Contents:
Introduction: A nasty girl and horrid example -- Part one. Prologue ; Classified ; Clear and present danger ; Interrogation ; Intelligence ; Best assets ; Master of disguise ; Private investigator -- Part two. Clues ; Rout ; Snoop ; Detect ; Agency ; Agent Harrie ; Divided loyalties -- Part three. Luck, speculation, windfalls ; Tradecraft ; Survey the locality ; Witness -- Afterword.
Summary: Louise Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This biography brings Harriet's creator into the frame, shedding new light on the author and her work.Summary: "The protagonist and anti-heroine of Louise Fitzhugh's masterpiece Harriet the Spy, first published first in 1964, continues to mesmerize generation after generation of readers. Harriet is an erratic, unsentimental, and endearing prototype--someone very like the woman who dreamed her up, author and artist Louise Fitzhugh. Born in 1928, Fitzhugh was raised in a wealthy home in segregated Memphis, and she escaped her cloistered world and made a beeline for New York as soon as she could. Her expanded milieu stretched from the lesbian bars of Greenwich Village to the dance clubs of Harlem, on to the resurgent artist studios of post-war New York, France, and Italy. Her circle of friends included artists like Maurice Sendak and playwrights like Lorraine Hansberry. In the 1960s, Fitzhugh wrote Harriet the Spy, and in doing so she introduced "new realism" into children's books--she launched a genre of children's books that allowed characters to experience authentic feelings and acknowledged topics that were formerly considered taboo. Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This lively, rich biography brings Harriet's creator into the frame, shedding new light on an extraordinary author and her marvelous creation"-- Provided by publisher.
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Main Library Biography FITZHUGH L. B864 Available 33111010783773
Total holds: 0

Enhanced descriptions from Syndetics:

In this inspiring biography, discover the true story of Harriet the Spy author Louise Fitzhugh -- and learn about the woman behind one of literature's most beloved heroines. Harriet the Spy , first published in 1964, has mesmerized generations of readers and launched a million diarists. Its beloved antiheroine, Harriet, is erratic, unsentimental, and endearing -- very much like the woman who created her, Louise Fitzhugh. Born in 1928, Fitzhugh was raised in segregated Memphis, but she soon escaped her cloistered world and headed for New York, where her expanded milieu stretched from the lesbian bars of Greenwich Village to the art world of postwar Europe, and her circle of friends included members of the avant-garde like Maurice Sendak and Lorraine Hansberry. Fitzhugh's novels, written in an era of political defiance, are full of resistance: to authority, to conformity, and even -- radically, for a children's author -- to make-believe. As a children's author and a lesbian, Fitzhugh was often pressured to disguise her true nature. Sometimes You Have to Lie tells the story of her hidden life and of the creation of her masterpiece, which remains long after her death as a testament to the complicated relationship between truth, secrecy, and individualism.

Includes bibliographical references and index.

Introduction: A nasty girl and horrid example -- Part one. Prologue ; Classified ; Clear and present danger ; Interrogation ; Intelligence ; Best assets ; Master of disguise ; Private investigator -- Part two. Clues ; Rout ; Snoop ; Detect ; Agency ; Agent Harrie ; Divided loyalties -- Part three. Luck, speculation, windfalls ; Tradecraft ; Survey the locality ; Witness -- Afterword.

Louise Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This biography brings Harriet's creator into the frame, shedding new light on the author and her work.

"The protagonist and anti-heroine of Louise Fitzhugh's masterpiece Harriet the Spy, first published first in 1964, continues to mesmerize generation after generation of readers. Harriet is an erratic, unsentimental, and endearing prototype--someone very like the woman who dreamed her up, author and artist Louise Fitzhugh. Born in 1928, Fitzhugh was raised in a wealthy home in segregated Memphis, and she escaped her cloistered world and made a beeline for New York as soon as she could. Her expanded milieu stretched from the lesbian bars of Greenwich Village to the dance clubs of Harlem, on to the resurgent artist studios of post-war New York, France, and Italy. Her circle of friends included artists like Maurice Sendak and playwrights like Lorraine Hansberry. In the 1960s, Fitzhugh wrote Harriet the Spy, and in doing so she introduced "new realism" into children's books--she launched a genre of children's books that allowed characters to experience authentic feelings and acknowledged topics that were formerly considered taboo. Fitzhugh's books are full of resistance: to liars, to conformity, to authority, and even (radically, for a children's author) to make-believe. As a commercial children's author and lesbian, Fitzhugh often had to disguise the nature of her most intimate relationships. She lived her life as a dissenter--a friend to underdogs, outsiders, and artists--and her masterpiece remains long after her death to influence and provoke new generations of readers. Harriet is massively influential among girls and women in contemporary culture; she is the missing link between Jo March and Scout Finch, and it's not surprising that writers have thought of her as a kind of patron saint for misfit writers and unfeminine girls. This lively, rich biography brings Harriet's creator into the frame, shedding new light on an extraordinary author and her marvelous creation"-- Provided by publisher.

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