The silentiary / Antonio di Benedetto ; translated from the Spanish by Esther Allen ; introduction by Juan José Saer.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- unmediated
- volume
- 9781681375625
- 1681375621
- Silenciero. English
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
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Main Library | Fiction | DI BENED ANTONIO | Available | 33111010787253 |
Enhanced descriptions from Syndetics:
In post-WWII South America, a struggling writer embarks on a murderous thought experiment to help kickstart his career in this next tale of longing from the author of Zama.
The Silentiary takes place in a nameless Latin American city during the early 1950s. A young man employed in middle management entertains an ambition to write a book of some sort. But first he must establish the necessary precondition, which the crowded and noisily industrialized city always denies him, however often he and his mother and wife move in search of it. He thinks of embarking on his writing career with something simple, a detective novel, and ponders the possibility of choos- ing a victim among the people he knows and planning a crime as if he himself were the killer. That way, he hopes, his book might finally begin to take shape.
The Silentiary , along with Zama and The Suicides , is one of the three thematically linked novels by Di Benedetto that have come to be known as the Trilogy of Expectation, after the dedication "To the victims of expectation" in Zama . Together they constitute, in Juan José Saer's words, "one of the culminating moments of twentieth-century narrative fiction in Spanish."
"The Silentiary (1964) happens in a nameless Latin-American city during the years after World War II. A young man employed in mid-level management entertains an ambition to write a book of some sort. But first he must establish the necessary preconditions. It is the second of three novels by Antonio Di Benedetto that have come to be known as the Trilogy of Expectation in allusion to the dedication of the first one, Zama (1956), 'To the victims of expectation.' Together they constitute, in Juan José Saer's words, 'one of the culminating moments of 20th-century narrative fiction in Spanish.'"-- Provided by publisher.