Voices in the dead house / Norman Lock.
Material type:
TextSeries: American novels seriesPublisher: New York : Bellevue Literary Press, 2022Edition: First editionDescription: 284 pages ; 19 cmContent type: - text
- unmediated
- volume
- 9781954276017
- 195427601X
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|
Adult Book
|
Main Library | Fiction | LOCK, NORMAN | Available | 33111010884969 |
Enhanced descriptions from Syndetics:
Walt Whitman and Louisa May Alcott meet the horrors of the Civil War as they minister to its casualties
After the Union Army's defeat at Fredericksburg in 1862, Walt Whitman and Louisa May Alcott converge on Washington to nurse the sick, wounded, and dying. Whitman was a man of many contradictions: egocentric yet compassionate, impatient with religiosity yet moved by the spiritual in all humankind, bigoted yet soon to become known as the great poet of democracy. Alcott was an intense, intellectual, independent woman, an abolitionist and suffragist, who was compelled by financial circumstance to publish saccharine magazine stories yet would go on to write the enduring and beloved Little Women . As Lock captures the musicality of their unique voices and their encounters with luminaries ranging from Lincoln to battlefield photographer Mathew Brady to reformer Dorothea Dix, he deftly renders the war's impact on their personal and artistic development.
Inspired by Whitman's poem "The Wound-Dresser" and Alcott's Hospital Sketches , the ninth stand-alone book in The American Novels series is a masterful dual portrait of two iconic authors who took different paths toward chronicling a country beset by prejudice and at war with itself.
"After the Union Army's defeat at Fredericksburg in 1862, Walt Whitman and Louisa May Alcott converge on Washington to attend to the sick, wounded, and dying. Both of these iconic Americans, known for bucking the conventions of their day, find their principles and beliefs tested by grueling and grisly duties. Walt Whitman was a man of many contradictions: egocentric yet compassionate, vain though frequently transported by the beauty of others, he was a bigot who sang the song of all mankind as the great poet of democracy. He delighted in the pleasures of the flesh and had no patience for religiosity but was moved by the spiritual in all men and women, from janitor to president. Louisa May Alcott, still beloved for Little Women, was an intense, intellectual, independent woman, an abolitionist and a suffragist, who was compelled to write saccharine magazine stories to save her mother and siblings from the poorhouse but aspired to true, unsentimental artistic expression. Alcott would write of her Civil War nursing experiences in Hospital Sketches and Whitman in his poem "The Wound Dresser", from which these vivid fictional evocations are in part drawn. In this double portrait, Lock deftly captures the special musicality and preoccupations of each writer as they confront war's devastation and grapple with the politics of a racist reality that continues to haunt us today"-- Provided by publisher.