Songs of surrender / U2.
Material type:
MusicPublisher number: 4862910 | Interscope RecordsPublisher: [Santa Monica, California] : Interscope Records, [2023]Copyright date: ©2023Description: 1 audio disc (1 hr., 4 min.) : CD audio, stereo ; 4 3/4 inContent type: - performed music
- audio
- audio disc
- Produced by The Edge with Bob Ezrin, Duncan Stewart and Declan Gaffney.
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|
Adult CD
|
Northport Library | CD | POP/ROCK U2 | Available | 33111009989423 |
Enhanced descriptions from Syndetics:
Six years after Songs of Experience -- and nearly a decade after Songs of Innocence -- U2 delivered Songs of Surrender, an album whose title suggests it's either part of a trilogy or the album where the band decided to finally succumb to the forces attempting to pull it down to the ground. Given that a collection of remakes inherently feels like a retreat, the latter interpretation seems more likely. Named partially after Bono's 2022 memoir, Surrender: 40 Songs, One Story, the project -- available in a couple of iterations, including a four-LP set where each volume is named after a bandmember -- finds each member of the group cherry-picking ten of their favorite U2 songs, and then the Edge spearheading "intimate" rearrangements of them. Largely anchored by -- but by no means limited to -- acoustic guitars, Songs of Surrender is subdued, handsome, and tasteful, music made from the vantage point of reflection rather than risk. There's nothing on Songs of Surrender that sounds precisely like the originally released versions -- studio effects and electric guitars have been stripped away, the rhythms don't thunder -- yet nothing here quite surprises. Bono's lyrical alterations are subtle, even when they amount to more than the tweaking of a stray line; giving "Stories for Boys" a mature makeover or rewriting "Walk On" for Ukraine doesn't quite change the emotional thrust of the songs. Apart from Adam Clayton's album, which contains inversions of such loud rockers as "Vertigo" and "The Fly," U2 doesn't stretch the boundaries of what acoustic-based rock would be: it's all ballads and anthems, songs that can be sustained by drumming. Pros that they are, U2 deliver smooth, polished performances that are handsome and, yes, intimate but not especially compelling. It's stylish background music that sounds a bit like it was designed to be heard in chain coffeehouses during the late 2000s. ~ Stephen Thomas Erlewine
U2 (Bono, vocals ; The Edge, guitars, vocals, piano and keyboards ; Adam Clayton, bass guitar ; Larry Mullen Jr., drums and percussion).
Produced by The Edge with Bob Ezrin, Duncan Stewart and Declan Gaffney.
Recorded Shangri-La ; The Village ; Metropolis ; Harbour Island Studios.
Compact disc.
Title from disc label.
"40 new acoustic & reimagined recordings from the U2 catalogue"--Container packaging.
All tracks written by U2, except "Lights of home" by U2, Alana Haim, Danielle Haim, Este Haim and Ariel Rechtshaid; "Ordinary love" by U2 and Brian Burton.
One -- Where the streets have no name -- Stories for boys -- Walk on (Ukraine) -- Pride (in the name of love) -- City of blinding lights -- Ordinary love -- Invisible -- Vertigo -- I still haven't found what I'm looking for -- The fly -- If God will send His angels -- Stay (faraway, so close!) -- Sunday bloody Sunday -- I will follow -- "40."
U2 reimagines and rerecords largely acoustic versions of songs from throughout their career, inspired by Bono's memoir, "Surrender".