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The Black box : writing the race / Henry Louis Gates, Jr.

By: Material type: TextTextPublisher: New York : Penguin Press, 2024Copyright date: ©2024Description: xxxvii, 262 pages ; 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780593299784
  • 0593299787
Other title:
  • Writing the race
Subject(s):
Contents:
Preface : The black box -- Race, reason, and writing -- What's in a name? -- Who's your daddy?: Frederick Douglass and the politics of self-representation -- Who's your mama?: the politics of disrespectability -- The "true art of a race's past": art, propaganda, and the new negro -- Modernism and its discontents: Zora Neale Hurston and Richard Wright play the dozens -- Sellouts vs. race men: on the concept of passing -- Conclusion : Policing the color line.
Summary: "A magnificent, foundational reckoning with how Black Americans have used the written word to define and redefine themselves, in resistance to the lies of racism and often in heated disagreement with each other, over the course of the country's history. Distilled over many years from Henry Louis Gates, Jr.'s legendary Harvard introductory course in African American Studies, The Black Box: Writing the Race, is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W.E.B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison--these writers used words to create a livable world--a "home"--for Black people destined to live out their lives in a bitterly racist society. It is a book grounded in the beautiful irony that a community formed legally and conceptually by its oppressors to justify brutal sub-human bondage, transformed itself through the word into a community whose foundational definition was based on overcoming one of history's most pernicious lies. This collective act of resistance and transcendence is at the heart of its self-definition as a "community." Out of that contested ground has flowered a resilient, creative, powerful, diverse culture formed by people who have often disagreed markedly about what it means to be "Black," and about how best to shape a usable past out of the materials at hand to call into being a more just and equitable future. This is the epic story of how, through essays and speeches, novels, plays, and poems, a long line of creative thinkers has unveiled the contours of--and resisted confinement in--the "black box" inside which this "nation within a nation" has been assigned, willy nilly, from the nation's founding through to today. This is a book that records the compelling saga of the creation of a people"-- Provided by publisher.
Holdings
Item type Home library Collection Shelving location Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Dr. James Carlson Library NonFiction New 305.896 G259 Available 33111011126964
Adult Book Adult Book Main Library NonFiction New 305.896 G259 Available 33111011340680
Adult Book Adult Book Northport Library NonFiction New 305.896 G259 Available 33111011155856
Total holds: 0

Enhanced descriptions from Syndetics:

"Henry Louis Gates is a national treasure. Here, he returns with an intellectual and at times deeply personal meditation on the hard-fought evolution and the very meaning of African American identity, calling upon our country to transcend its manufactured divisions."
-- Isabel Wilkerson, author of The Warmth of Other Suns and Caste

"This is a literary history of Black America, but it is also an argument that African American history is inextricable from the history of African American literature."
-- The New York Times

A magnificent, foundational reckoning with how Black Americans have used the written word to define and redefine themselves, in resistance to the lies of racism and often in heated disagreement with each other, over the course of the country's history.

Distilled over many years from Henry Louis Gates, Jr.'s legendary Harvard introductory course in African American Studies, The Black Box: Writing the Race , is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W.E.B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison--these writers used words to create a livable world--a "home" --for Black people destined to live out their lives in a bitterly racist society.

It is a book grounded in the beautiful irony that a community formed legally and conceptually by its oppressors to justify brutal sub-human bondage, transformed itself through the word into a community whose foundational definition was based on overcoming one of history's most pernicious lies. This collective act of resistance and transcendence is at the heart of its self-definition as a "community." Out of that contested ground has flowered a resilient, creative, powerful, diverse culture formed by people who have often disagreed markedly about what it means to be "Black," and about how best to shape a usable past out of the materials at hand to call into being a more just and equitable future.

This is the epic story of how, through essays and speeches, novels, plays, and poems, a long line of creative thinkers has unveiled the contours of--and resisted confinement in--the "black box" inside which this "nation within a nation" has been assigned, willy nilly, from the nation's founding through to today. This is a book that records the compelling saga of the creation of a people.

Includes bibliographical references (pages 233-252) and index.

Preface : The black box -- Race, reason, and writing -- What's in a name? -- Who's your daddy?: Frederick Douglass and the politics of self-representation -- Who's your mama?: the politics of disrespectability -- The "true art of a race's past": art, propaganda, and the new negro -- Modernism and its discontents: Zora Neale Hurston and Richard Wright play the dozens -- Sellouts vs. race men: on the concept of passing -- Conclusion : Policing the color line.

"A magnificent, foundational reckoning with how Black Americans have used the written word to define and redefine themselves, in resistance to the lies of racism and often in heated disagreement with each other, over the course of the country's history. Distilled over many years from Henry Louis Gates, Jr.'s legendary Harvard introductory course in African American Studies, The Black Box: Writing the Race, is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W.E.B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison--these writers used words to create a livable world--a "home"--for Black people destined to live out their lives in a bitterly racist society. It is a book grounded in the beautiful irony that a community formed legally and conceptually by its oppressors to justify brutal sub-human bondage, transformed itself through the word into a community whose foundational definition was based on overcoming one of history's most pernicious lies. This collective act of resistance and transcendence is at the heart of its self-definition as a "community." Out of that contested ground has flowered a resilient, creative, powerful, diverse culture formed by people who have often disagreed markedly about what it means to be "Black," and about how best to shape a usable past out of the materials at hand to call into being a more just and equitable future. This is the epic story of how, through essays and speeches, novels, plays, and poems, a long line of creative thinkers has unveiled the contours of--and resisted confinement in--the "black box" inside which this "nation within a nation" has been assigned, willy nilly, from the nation's founding through to today. This is a book that records the compelling saga of the creation of a people"-- Provided by publisher.

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