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Revolutions in American music : three decades that changed a country and its sounds / Michael Broyles.

By: Material type: TextTextPublisher: New York : W. W. Norton & Company, [2024]Copyright date: ©2024Edition: First editionDescription: xiii, 430 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780393634204
  • 0393634205
Subject(s):
Contents:
Introduction: a personal statement -- Chapter 1. Three pillars and the nature of revolution -- The 1840s: Chapter 2. Minstrelsy : an American musical contribution and America's curse -- Chapter 3. Polkamania and Polk -- Chapter 4. Classical music arrives. -- The 1920s: Chapter 5. The twentieth century : music technology collapses time and space -- Chapter 6. The Jazz Age -- Chapter 7. Blues, hillbilly, and crooners -- Chapter 8. The ultramodern revolution and music appreciation. -- The 1950s: Chapter 9. After the war -- Chapter 10. Johnnie Ray and the rise of rock 'n' roll -- Chapter 11. The summer of '55 : rock 'n' roll's turning point -- Chapter 12. Rock 'n' roll : culmination and collapse -- Chapter 13. Anonymity and its ways : classical music in a postwar world. -- Epilogue -- Acknowledgments -- Notes -- Illustration credits -- Index.
Summary: The story of how unexpected connections between music, technology, and race across three tumultuous decades changed American Culture.Summary: "In Revolutions in American Music, award-winning author Michael Broyles shows the surprising ways in which three key decades--the 1840s, the 1920s, and the 1950s--shaped America's musical future. Drawing connections between new styles of music like the minstrel show, jazz, and rock 'n' roll, and emerging technologies like the locomotive, the first music recordings, and the transistor radio, Broyles argues that these decades fundamentally remade our cultural landscape in enduring ways. At the same time, these connections revealed racial fault lines running through the business of music, in an echo of American society as a whole. Through the music of each decade, we come to see anew the social, cultural, and political fabric of the time. Broyles combines broad historical perspective with an eye for the telling detail and presents a variety of characters to serve as focal points, including the original Jim Crow, a colorful Hungarian dancing master named Gabriel de Korponay, "Empress of the Blues" Bessie Smith, and the singer Johnnie Ray, whom Tony Bennett called "the father of rock 'n' roll." Their stories, and many others, animate Broyles's masterly account of how American music became what it is today." --- Provided by publisher.
Holdings
Item type Home library Collection Shelving location Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Main Library NonFiction New 780.973 B885 Available 33111011341233
Adult Book Adult Book Northport Library NonFiction New 780.973 B885 Available 33111011157407
Total holds: 0

Enhanced descriptions from Syndetics:

How did a European social dance craze become part of an American presidential election? Why did the recording industry become racially divided? Where did rock 'n' roll really come from? And how do all these things continue to reverberate in today's world?

In Revolutions in American Music, award-winning author Michael Broyles shows the surprising ways in which three key decades--the 1840s, the 1920s, and the 1950s--shaped America's musical future. Drawing connections between new styles of music like the minstrel show, jazz, and rock 'n' roll, and emerging technologies like the locomotive, the first music recordings, and the transistor radio, Broyles argues that these decades fundamentally remade our cultural landscape in enduring ways. At the same time, these connections revealed racial fault lines running through the business of music, in an echo of American society as a whole.

Through the music of each decade, we come to see anew the social, cultural, and political fabric of the time. Broyles combines broad historical perspective with an eye for the telling detail and presents a variety of characters to serve as focal points, including the original Jim Crow, a colorful Hungarian dancing master named Gabriel de Korponay, "Empress of the Blues" Bessie Smith, and the singer Johnnie Ray, whom Tony Bennett called "the father of rock 'n' roll." Their stories, and many others, animate Broyles's masterly account of how American music became what it is today.

The story of how unexpected connections between music, technology, and race across three tumultuous decades changed American Culture.

"In Revolutions in American Music, award-winning author Michael Broyles shows the surprising ways in which three key decades--the 1840s, the 1920s, and the 1950s--shaped America's musical future. Drawing connections between new styles of music like the minstrel show, jazz, and rock 'n' roll, and emerging technologies like the locomotive, the first music recordings, and the transistor radio, Broyles argues that these decades fundamentally remade our cultural landscape in enduring ways. At the same time, these connections revealed racial fault lines running through the business of music, in an echo of American society as a whole. Through the music of each decade, we come to see anew the social, cultural, and political fabric of the time. Broyles combines broad historical perspective with an eye for the telling detail and presents a variety of characters to serve as focal points, including the original Jim Crow, a colorful Hungarian dancing master named Gabriel de Korponay, "Empress of the Blues" Bessie Smith, and the singer Johnnie Ray, whom Tony Bennett called "the father of rock 'n' roll." Their stories, and many others, animate Broyles's masterly account of how American music became what it is today." --- Provided by publisher.

Introduction: a personal statement -- Chapter 1. Three pillars and the nature of revolution -- The 1840s: Chapter 2. Minstrelsy : an American musical contribution and America's curse -- Chapter 3. Polkamania and Polk -- Chapter 4. Classical music arrives. -- The 1920s: Chapter 5. The twentieth century : music technology collapses time and space -- Chapter 6. The Jazz Age -- Chapter 7. Blues, hillbilly, and crooners -- Chapter 8. The ultramodern revolution and music appreciation. -- The 1950s: Chapter 9. After the war -- Chapter 10. Johnnie Ray and the rise of rock 'n' roll -- Chapter 11. The summer of '55 : rock 'n' roll's turning point -- Chapter 12. Rock 'n' roll : culmination and collapse -- Chapter 13. Anonymity and its ways : classical music in a postwar world. -- Epilogue -- Acknowledgments -- Notes -- Illustration credits -- Index.

Included bibliographical references and index.

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