Digital ash in a digital urn [sound recording] / Bright Eyes.
Material type:
MusicPublisher number: LBJ-73 | Saddle CreekPublication details: Omaha, Neb. : Saddle Creek, p2005.Description: 1 sound disc : digital ; 4 3/4 inSubject(s): | Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|
Adult CD
|
Main Library | CD | POP/ROCK Bright Eyes | Available | 33111008271088 |
Enhanced descriptions from Syndetics:
Digital Ash in a Digital Urn is designed to be the musical polar opposite to the simultaneously-released I'm Wide Awake, It's Morning, to be the ambitious, modernistic electronic record that stands in contrast to the sepia-toned, classicist acoustic LP. The production and arrangements may have changed, but Conor Oberst's preference to lyrics over music remains the same. Nevertheless, there is more variety and dynamicism on Digital Ash, which makes it a more interesting listen than its companion, even if it's hard not to escape the feeling that the album is Bright Eyes' take on the Postal Service's Give Up. ~ Stephen Thomas Erlewine
Compact disc.
Credits and lyrics on container insert.
Time code -- Gold mine gutted -- Arc of Time (Time code) -- Down in a rabbit hole -- Take it easy (Love nothing) -- Hit the switch -- I believe in symmetry -- Devil in the details -- Ship in a bottle -- Light pollution -- Theme from pinata -- Easy/lucky/free.
Performed by Clark Baechle, Jason Boesel, Sabrina Duim, Jiha Lee, Clay Leverett, Andy LeMaster, Mike Mogis, Stella Mogis, Conor Oberst, Jimmy Tamborello, Maria Taylor, Nate Walcott, Nick White, Nick Zinner, Kim Salistean, Donna Carnes, Karen Becker, Thomas Kluge.
Recorded at Presto! (Lincoln, NE) and Chase Park Transduction (Athens, GA).