TY  - ADVS
AU  - Allam,Roger
AU  - Clemens,Adelaide
AU  - Cumberbatch,Benedict
AU  - Duff,Anne-Marie
AU  - Everett,Rupert
AU  - Graham,Stephen
AU  - Hall,Rebecca
AU  - McTeer,Janet
AU  - Mison,Tom
AU  - Parfitt,David
AU  - Richardson,Miranda
AU  - Roberts,Selwyn
AU  - Stoppard,Tom
AU  - White,Susanna
AU  - Ford,Ford Madox
ED  - BBC Two (Television station : London, England)
ED  - BBC Worldwide Ltd.
ED  - British Broadcasting Corporation.
ED  - HBO Home Entertainment (Firm)
ED  - HBO miniseries (Firm)
ED  - Home Box Office (Firm)
ED  - Lookout Point (Firm)
ED  - Mammoth Screen (Firm)
ED  - Trademark Films.
ED  - Warner Home Video (Firm)
TI  - Parade's end
PY  - 2013///]
CY  - [New York, N.Y.]
PB  - Home Box Office, Inc.
KW  - Ford, Ford Madox,
KW  - Aristocracy (Social class)
KW  - England
KW  - Drama
KW  - Feminism
KW  - Man-woman relationships
KW  - Marriage
KW  - Suffragists
KW  - Triangles (Interpersonal relations)
KW  - World War, 1914-1918
KW  - Great Britain
KW  - History
KW  - 20th century
KW  - Social conditions
KW  - Fiction television programs
KW  - lcgft
KW  - Historical television programs
KW  - Television adaptations
KW  - Television melodramas
KW  - Television mini-series
KW  - Video recordings for the hearing impaired
N1  - "HBO Home Entertainment"--Container; Based on the novels of Ford Madox Ford; Bonus feature: Tom Stoppard interview on KCRW's The treatment with Elvis Mitchell; Originally broadcast on television in Great Britain on BBC Two in 2012. Originally broadcast on television in the United States on HBO in 2013; Disc one; Part one; Part two; Part three --; Disc two; Part four; Part five; Director, Susanna White; Rebecca Hall, Benedict Cumberbatch, Roger Allam, Adelaide Clemens, Anne-Marie Duff, Rupert Everett, Stephen Graham, Janet McTeer, Miranda Richardson; TV rating: TV-MA
N2  - Set over a tumultuous ten-year period in the early 20th century, this five-hour miniseries tells the story of an honorable Englishman coping with his growing disillusion at the end of a privileged era and the beginning of a new, egalitarian society. As the comfortable certainties of Edwardian England begin to give way to the chaos and destruction of WWI, nobleman Christopher Tietjens puts principles first by marrying Sylvia, a pretty, manipulative socialite who gives birth to a child who may not be his. Christopher endures his new wife's whims and overt indiscretions, foreseeing a cold future with Sylvia at his family's palatial estate, Groby Hall. He finds himself inexorably drawn to a young suffragette, Valentine Wannop, but refuses to give in to their mutual passion or end his marriage with Sylvia, who is alternately infuriated and infatuated by her incorruptible husband. The onset of war, combined with the advent of feminism at home, ushers in far-reaching changes for the English status quo, gradually eroding the constraints that have kept Christopher tethered to his aristocratic past
ER  -