TY  - ADVS
AU  - Petzold,Christian
AU  - Koerner von Gustorf,Florian
AU  - Weber,Michael
AU  - Hoss,Nina
AU  - Zehrfeld,Ronald
AU  - Kunzendorf,Nina
AU  - Maertens,Michael
AU  - Kogge,Imogen
AU  - Block,Kirsten
AU  - Fromm,Hans
AU  - Böhler,Bettina
AU  - Will,Stefan
ED  - Sundance Selects (Firm),
ED  - Match Factory (Firm),
ED  - Schramm Film Koerner & Weber (Firm),
ED  - Tempus Film,
ED  - Bayerischer Rundfunk,
ED  - Westdeutscher Rundfunk,
ED  - Arte (Firm),
ED  - Medienboard Berlin-Brandenburg,
ED  - Kulturelle Filmförderung des Bundes,
ED  - Filmförderungsanstalt (Germany),
ED  - Deutscher Filmförderfonds,
ED  - Criterion Collection (Firm),
TI  - Phoenix
T2  - The Criterion collection
SN  - 9781681431390
PY  - 2016///]
CY  - [New York, New York]
PB  - The Criterion Collection
KW  - World War, 1939-1945
KW  - Germany
KW  - Berlin
KW  - Drama
KW  - Married people
KW  - Betrayal
KW  - Holocaust survivors
KW  - Feature films
KW  - lcgft
KW  - Film noir
KW  - Fiction films
N1  - Originally produced as a motion picture in 2014; Special features: new conversation between director Christian Petzold and actor Nina Hoss; new interview with cinematographer, Hans Fromm; The making of "Phoenix a 2014 documentary featuring interviews with Petzold, Hoss, actors Nina Kunzendorf and Ronald Zehrfield and production designer K.D. Gruber; trailer; essay by critic Michael Koresky; Director of photography, Hans Fromm ; editor, Bettina Böhler ; music, Stefan Will; Nina Hoss, Ronald Zehrfeld, Nina Kunzendorf, Michael Maertens, Imogen Kogge, Kirsten Block; MPAA rating: PG-13; for some thematic elements and brief suggestive material
N2  - Set in a rubble-strewn Berlin in 1945, is like no other film about post-World War II Jewish identity. After surviving Auschwitz, a former cabaret performer, her face disfigured and reconstructed, returns to her war-ravaged hometown to seek out the gentile husband who may or may not have betrayed her to the Nazis. Without recognizing her, he enlists her to play his wife in a bizarre hall-of-shattered-mirrors story that's as richly metaphorical as it is preposterously engrossing
ER  -