TY  - ADVS
AU  - Stærmose,Søren
AU  - Frykberg,Jonas
AU  - Alfredson,Daniel
AU  - Rapace,Noomi
AU  - Nyqvist,Michael
AU  - Endre,Lena
AU  - Andersson,Peter
AU  - Kylén,Johan
AU  - Garbi,Yasmine
AU  - Roberto,Paolo
AU  - Spreitz,Mikael
AU  - Staykov,Georgi
AU  - Oscarsson,Per
AU  - Carlsson,Ralph
AU  - Mokrosinski,Peter
AU  - Morheden,Mattias
AU  - Groth,Jacob
AU  - Larsson,Stieg
ED  - Yellow Bird (Firm)
ED  - ZDF Enterprises.
ED  - Sveriges television.
ED  - Nordisk films kompagni.
ED  - Zweites Deutsches Fernsehen.
ED  - Filmpool Stockholm Mälardalen.
ED  - Film i Väst (Firm)
ED  - Spiltan Underhållning M AB.
ED  - Music Box Films.
TI  - Flickan som lekte med elden =: The girl who played with fire 
PY  - 2010///]
CY  - Chicago
PB  - Distributed by Music Box Films
KW  - Salander, Lisbeth
KW  - Journalists
KW  - Drama
KW  - Hackers
KW  - Murder
KW  - Prostitution
KW  - Human trafficking
KW  - Political corruption
KW  - Sweden
KW  - Thrillers (Motion pictures)
KW  - lcgft
KW  - Detective and mystery films
KW  - Film adaptations
KW  - Fiction films
KW  - Feature films
N1  - Baserad på Stieg Larssons roman [Based on Stieg Larsson's novel]; Special features: TGWPWF Theatrical trailer (2 min.); Fotograf, Peter Mokrosinski ; klippare [editor], Mattias Morheden ; kompositör [composer], Jacob Groth ; production design, Maria Håård & Jan Olof Ågren ; kostymör [costumes], Cilla Rörby; Noomi Rapace, Michael Nyqvist, Lena Endre, Peter Andersson, Johan Kylén, Yasmine Garbi, Paolo Roberto, Mikael Spreitz, Georgi Staykov, Per Oscarsson, Ralph Carlsson; Originally produced as a Swedish motion picture in 2009; MPAA rating: R; for brutal violence including a rape, some strong sexual content, nudity, and language
N2  - In this second film based on Larsson's Millennium trilogy, Mikael Blomkvist's journalistic protégé and his activist girlfriend are delving into a sex-trafficking ring whose patrons who are highly placed in the political establishment. When the couple are brutally murdered, the gun found in their apartment has Lisbeth's fingerprints on it, and Lisbeth and Mikael embark on parallel manhunts. Mikael is simultaneously aided and obstructed by a shambling detective named Bublanski, while Lisbeth is drawn toward fresh dangers connected to a rotten, unresolved past. The film captures both the beautiful, lugubrious Swedish landscape and the existential mood of contemporary northern Europe, trapped between the info-capitalist future and the ideological prisons of the past
ER  -