Atomic / Helen Money.
Material type:
MusicPublisher number: THRILL 516 | Thrill Jockey RecordsPublisher: Chicago, IL : Thrill Jockey Records, [2020]Description: 1 audio disc : CD audio, digital ; 4 3/4 inContent type: - performed music
- audio
- audio disc
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|
Adult CD
|
Main Library | CD | POP/ROCK Helen Money | Available | 33111009897154 |
Enhanced descriptions from Syndetics:
Alison Chesley's fifth solo full-length as Helen Money is both more expansive and more direct than her previous releases. Progressing from 2016's Become Zero, her first album to utilize multi-track digital recording, she continues to incorporate electronics and adventurous sound design into her work, this time featuring modular synthesizer textures applied by collaborator Will Thomas. The electronic enhancements give her cello playing a dreamy, unearthly glow, making it sound like an orchestra of ghosts are accompanying her performance. As deep and detailed as the production is, though, it doesn't mask the raw power of the compositions or the acoustic instrumentation. Playing somewhat like a soundtrack, these pieces are heavy on suspense. Brooding strings stir in the night air, sometimes left to resonate, and occasionally doubling down on an attack. On "Nemesis," they're joined by shivering pianos and clanging, abrasive synths, and after a brief respite, the electrified strings strike like lightning, with a cavernous beat thudding away all the while. Noah Leger's turbulent drums swirl around the sorrowful melody of "Coil," while "Coppe" is much gentler, focusing on Carol Robbins' delicate harp playing. The insistent "Brave One" begins with spaghetti Western-like chords, then gets flooded out with distorted melodies that sound uncannily like guitars. "Marrow" is easily one of the album's highlights, building up to a steadily advancing storm of crashing drums and trippy effects whirling everything around like a cyclone. As with Become Zero, Atomic is triumphant on so many levels -- the composition, production, arrangements, and cinematic pacing are simply stellar. ~ Paul Simpson
Title from container.
All songs composed by Alison Chesley except for Nemesis and Something holy by Alison Chesley and Will Thomas.
Helen Money (Alison Chesley), cello, piano ; Will Thomas, modular synthesizer ; Sanford Parker, electronics, programming ; Noah Leger, drums ; Carol Robbins, harp.
Recorded Neutral Studios, Los Angeles Decade Studios, Chicago.
Compact disc.
Midnight (4:43) -- Understory (4:58) -- Nemesis (6:24) -- Coil (4:39) -- Coppe (4:12) -- Something holy (3:28) -- Brave one (3:38) -- One year one ring (2:10) -- Marrow (3:37) -- Redshift (3:32) -- Many arms (4:17).