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Prairie, dresses, art, other / Danielle Dutton.

By: Material type: TextTextPublisher: Minneapolis : Coffee House Press, 2024Description: 169 pages : illustrations ; 20 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781566897037
  • 1566897033
Genre/Form:
Contents:
Prairie. Nocturne -- These bad things -- Installation -- Lost lunar apogee -- My wonderful description of flowers -- Dresses. Sixty-six dresses I have read -- Art. A picture held us captive -- Other. One woman and two great men -- Acorn -- Not writing -- Somehow -- A double room -- Writing advice -- To want for nothing -- Story with a hole -- Pool of tears (a play in one act).
Summary: "From the "strikingly smart and daringly feminist" (Jenny Offill) author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. "Luminous" (The Guardian) and "brilliantly odd" (The Irish Independent), Danielle Dutton's writing is as protean as it is beguiling. In the four eponymous sections of Prairie, Dresses, Art, Other, Dutton imagines new models for how literature might work in our fractured times. "Prairie" is a cycle of surreal stories set in the quickly disappearing prairieland of the American Midwest. "Dresses" offers a surprisingly moving portrait of literary fashions. "Art" turns to essay, examining how works of visual art and fiction might relate to one another, a question central to the book, while the final section, "Other," includes pieces of irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking by turns. Out of these varied materials, Dutton builds a haunting landscape of wildflowers, megadams, black holes, violence, fear, virtual reality, abiding strangeness, and indefinable beauty"-- Provided by publisher.
Holdings
Item type Home library Collection Shelving location Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Main Library NonFiction New 814.6 D981 Available 33111011344211
Total holds: 0

Enhanced descriptions from Syndetics:

From the "strikingly smart and daringly feminist" (Jenny Offill) author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life.

"Luminous" ( The Guardian ) and "brilliantly odd" ( The Irish Independent ), Danielle Dutton's writing is as protean as it is beguiling. In the four eponymous sections of Prairie, Dresses, Art, Other , Dutton imagines new models for how literature might work in our fractured times.

"Prairie" is a cycle of surreal stories set in the quickly disappearing prairieland of the American Midwest. "Dresses" offers a surprisingly moving portrait of literary fashions. "Art" turns to essay, examining how works of visual art and fiction might relate to one another, a question central to the whole book; while the final section, "Other," includes pieces of irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious and heartbreaking by turns.


Out of these varied materials, Dutton builds a haunting landscape of wildflowers, megadams, black holes, violence, fear, virtual reality, abiding strangeness, and indefinable beauty.

Prairie. Nocturne -- These bad things -- Installation -- Lost lunar apogee -- My wonderful description of flowers -- Dresses. Sixty-six dresses I have read -- Art. A picture held us captive -- Other. One woman and two great men -- Acorn -- Not writing -- Somehow -- A double room -- Writing advice -- To want for nothing -- Story with a hole -- Pool of tears (a play in one act).

"From the "strikingly smart and daringly feminist" (Jenny Offill) author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. "Luminous" (The Guardian) and "brilliantly odd" (The Irish Independent), Danielle Dutton's writing is as protean as it is beguiling. In the four eponymous sections of Prairie, Dresses, Art, Other, Dutton imagines new models for how literature might work in our fractured times. "Prairie" is a cycle of surreal stories set in the quickly disappearing prairieland of the American Midwest. "Dresses" offers a surprisingly moving portrait of literary fashions. "Art" turns to essay, examining how works of visual art and fiction might relate to one another, a question central to the book, while the final section, "Other," includes pieces of irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking by turns. Out of these varied materials, Dutton builds a haunting landscape of wildflowers, megadams, black holes, violence, fear, virtual reality, abiding strangeness, and indefinable beauty"-- Provided by publisher.

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