Dear Miss Metropolitan / Carolyn Ferrell.
Material type:
TextPublisher: New York : Henry Holt and Company, 2021Copyright date: ©2021Edition: First editionDescription: 419 pages : illustrations ; 25 cmContent type: - text
- unmediated
- volume
- 9781250793614
- 1250793610
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|
Adult Book
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Dr. James Carlson Library | Fiction | FERRELL, CAROLYN | Available | 33111010662266 | ||||
|
Adult Book
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Main Library | Fiction | FERRELL, CAROLYN | Available | 33111010538508 |
Enhanced descriptions from Syndetics:
A finalist for the 2022 PEN/Faulkner Award for Fiction
A finalist for the 2022 PEN/Hemingway Award for Debut Novel
Introducing an extraordinary and original writer whose first novel explores the intersections of grief and rage, personal strength and healing--and what we owe one another.
Fern seeks refuge from her mother's pill-popping and boyfriends via Soul Train; Gwin finds salvation in the music of Prince much to her congregation's dismay and Jesenia, miles ahead of her classmates at her gifted and talented high school, is a brainy and precocious enigma. None of this matters to Boss Man, the monster who abducts them and holds them captive in a dilapidated house in Queens.
On the night they are finally rescued, throngs line the block gawking and claiming ignorance. Among them is lifetime resident Miss Metropolitan, advice columnist for the local weekly, but how could anyone who fancies herself a "newspaperwoman" have missed a horror story unfolding right across the street? And why is it that only two of the three girls--now women--were found? The mystery haunts the two remaining "victim girls" who are subjected to the further trauma of becoming symbols as they continuously adapt to their present and their unrelenting past.
Like Colson Whitehead's The Nickel Boys , Ferrell's Dear Miss Metropolitan gives voice to characters surviving unimaginable tragedy. The story is inventively revealed before, during, and after the ordeal in this singular and urgent novel.
"Dear Miss Metropolitan tells the fragmented story of Fern, Gwinnie, and Jesenia, three girls abducted by a monster who calls himself Boss Man and held captive in a decaying house in Queens for a decade. Inspired by real events, the tale is inventively revealed by multiple narrators before, during and after their ordeal. Documents, newspapers, excerpts from books, photographs, interviews, and other forms of media piece together the larger story. By the time they are rescued only two of them remain and in their aftermath the "victim females" are subjected to the further trauma of becoming symbols as the survivors, now patients in a facility, continue to adapt to their present and their unrelenting past. The mystery of the disappearance and the illumination of myths about race, gender and the definitions of community and family are at the center of this inventive and urgent fable of survival"-- Provided by publisher.
Fern seeks refuge from her mother's pill-popping and boyfriends via Soul Train. Gwin finds salvation in the music of Prince much to her congregation's dismay. Jesenia, miles ahead of her classmates at her gifted and talented high school, is a brainy and precocious enigma. None of this matters to Boss Man, the monster who abducts them and holds them captive in a dilapidated house in Queens. On the night they are finally rescued, throngs line the block gawking and claiming ignorance. How could lifetime resident Miss Metropolitan, advice columnist for the local weekly, have missed a horror story unfolding right across the street? And why were only two of the three girls-- now women-- found? The remaining victims are subjected to the further trauma of becoming symbols as they continuously adapt to their present and their unrelenting past. -- adapted from jacket