Romare Bearden in the homeland of his imagination : an artist's reckoning with the South / Glenda Elizabeth Gilmore.
Material type:
TextPublisher: Chapel Hill : The University of North Carolina Press, [2022]Copyright date: ©2022Description: xi, 160 pages : illustrations (chiefly color), color map ; 27 cmContent type: - text
- still image
- unmediated
- volume
- 9781469667867
- 146966786X
| Item type | Home library | Collection | Shelving location | Call number | Materials specified | Status | Date due | Barcode | Item holds | |
|---|---|---|---|---|---|---|---|---|---|---|
Adult Book
|
Main Library | NonFiction | New | 709.2 G488 | Available | 33111011302227 |
Enhanced descriptions from Syndetics:
Romare Bearden (1911-1988), one of the most prolific, original, and acclaimed American artists of the twentieth century, richly depicted scenes and figures rooted in the American South and the Black experience. Bearden hailed from North Carolina but was forced to relocate to the North when a white mob harassed his family in the 1910s. His family story is a compelling, complicated saga of Black middle-class achievement in the face of relentless waves of white supremacy. It is also a narrative of the generational trauma that slavery and racism inflicted over decades. But as Glenda Gilmore reveals in this trenchant reappraisal of Bearden's life and art, his work reveals his deep imagination, extensive training, and rich knowledge of art history.
Gilmore explores four generations of Bearden's family and highlights his experiences in North Carolina, Pittsburgh, and Harlem. She engages deeply with Bearden's art and considers it as an alternative archive that offers a unique perspective on the history, memory, and collective imagination of Black southerners who migrated to the North. In doing so, she revises and deepens our appreciation of Bearden's place in the artistic canon and our understanding of his relationship to southern, African American, and American cultural and social history.
"A Ferris and Ferris book."
Includes bibliographical references (pages [117]-150) and index.
Love in slavery and freedom -- Home and away -- The price of the ticket -- Bearden's Harlem Renaissance -- Lost in abstraction -- From darkness to light -- Round-trip ticket.
"Romare Bearden (1911-1988), one of the most prolific, original, and acclaimed American artists of the twentieth century, richly depicted scenes and figures rooted in the American South and the Black experience. Bearden hailed from North Carolina but was forced to relocate to the North when a white mob harassed [his family] in the 1910s. His family story is a compelling, complicated saga of Black middle-class achievement in the face of relentless waves of white supremacy. It is also a narrative of the generational trauma that slavery and racism inflicted over decades. But as Glenda Gilmore reveals in this trenchant reappraisal of Bearden's life and art, his work reveals his deep imagination, extensive training and rich knowledge of art history"-- Provided by publisher.