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The other side : a story of women in art and the spirit world / Jennifer Higgie.

By: Material type: TextTextPublisher: New York : Pegasus Books, 2024Copyright date: ©2024Edition: First Pegasus Books cloth editionDescription: 312 pages, 16 unnumbered pages of plates : illustrations (chiefly color) ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781639365432
  • 1639365435
Subject(s): Genre/Form:
Contents:
Prologue -- A Season in the Life of a Thought -- Enter the Fairies -- Islands in the Mist -- Mysterious Knockers -- The Cracked People -- A Dagger in Her Hair -- Oceanic States -- The Benefits of Not Knowing -- Between Mortals and Beings -- Thought-Forms -- Magnetic Fields -- She Danced a Goldfish -- New Worlds -- The Vibrations of Different Souls -- Demeter in Paris -- In the Cards -- Witch Dance -- Trees of Knowledge -- The Active Imagination -- Weaving Their Way -- Temenos -- Into the Ether.
Summary: "It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men - including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee - without repercussion. The fact that so many radical women artists of their generation - and earlier - also drank deeply from the same spiritual well has for too long been sorely neglected. In The Other Side, we explore the lives and work of a group of extraordinary women, from the twelfth-century mystic, composer and artist Hildegard of Bingen to the nineteenth-century English spiritualist Georgiana Houghton, whose paintings swirl like a cosmic Jackson Pollock; the early twentieth-century Swedish artist, Hilma af Klint, who painted with the help of her spirit guides and whose recent exhibition at New York's Guggenheim broke all attendance records; the 'Desert Transcendentalist', Agnes Pelton, who painted her visions beneath the vast skies of California; the Swiss healer, Emma Kunz, who used geometric drawings to treat her patients; and the British surrealist and occultist, Ithell Colquhoun, whose estate of more than 5,000 works recently entered the Tate gallery collection. While the individual work of these artists is unique, the women loosely shared the same goal: to communicate with, and learn from, other dimensions. Weaving in and out of these myriad lives, sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalized group of artists, The Other Side is an intoxicating blend of memoir, biography and art history."--Publisher's description.
Holdings
Item type Home library Collection Shelving location Call number Materials specified Status Date due Barcode Item holds
Adult Book Adult Book Main Library NonFiction New 709.22 H635 Available 33111011251903
Total holds: 0

Enhanced descriptions from Syndetics:

The first major work of art history to focus on women artists and their engagement with the spirit world, by the author of The Mirror and the Palette.

It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men--including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee--without repercussion. The fact that so many radical female artists of their generation--and earlier--also drank deeply from the same spiritual well has been sorely neglected for too long.

In The Other Side, we explore the lives and work of a group of extraordinary women, from the twelfth-century mystic, composer, and artist Hildegard of Bingen to the nineteenth-century English spiritualist Georgiana Houghton, whose paintings swirl like a cosmic Jackson Pollock; the early twentieth-century Swedish artist, Hilma af Klint, who painted with the help of her spirit guides and whose recent exhibition at New York's Guggenheim broke all attendance records to the 'Desert Transcendentalist', Agnes Pelton, who painted her visions beneath the vast skies of California. We also learn about the Swiss healer, Emma Kunz, who used geometric drawings to treat her patients and the British surrealist and occultist, Ithell Colquhoun, whose estate of more than 5,000 works recently entered the Tate gallery collection. While the individual work of these artists is unique, the women loosely shared the same goal: to communicate with, and learn from, other dimensions.

Weaving in and out of these myriad lives while sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalized group of artists, The Other Side is an intoxicating blend of memoir, biography, and art history.

Includes bibliographical references and index.

Prologue -- A Season in the Life of a Thought -- Enter the Fairies -- Islands in the Mist -- Mysterious Knockers -- The Cracked People -- A Dagger in Her Hair -- Oceanic States -- The Benefits of Not Knowing -- Between Mortals and Beings -- Thought-Forms -- Magnetic Fields -- She Danced a Goldfish -- New Worlds -- The Vibrations of Different Souls -- Demeter in Paris -- In the Cards -- Witch Dance -- Trees of Knowledge -- The Active Imagination -- Weaving Their Way -- Temenos -- Into the Ether.

"It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men - including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee - without repercussion. The fact that so many radical women artists of their generation - and earlier - also drank deeply from the same spiritual well has for too long been sorely neglected. In The Other Side, we explore the lives and work of a group of extraordinary women, from the twelfth-century mystic, composer and artist Hildegard of Bingen to the nineteenth-century English spiritualist Georgiana Houghton, whose paintings swirl like a cosmic Jackson Pollock; the early twentieth-century Swedish artist, Hilma af Klint, who painted with the help of her spirit guides and whose recent exhibition at New York's Guggenheim broke all attendance records; the 'Desert Transcendentalist', Agnes Pelton, who painted her visions beneath the vast skies of California; the Swiss healer, Emma Kunz, who used geometric drawings to treat her patients; and the British surrealist and occultist, Ithell Colquhoun, whose estate of more than 5,000 works recently entered the Tate gallery collection. While the individual work of these artists is unique, the women loosely shared the same goal: to communicate with, and learn from, other dimensions. Weaving in and out of these myriad lives, sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalized group of artists, The Other Side is an intoxicating blend of memoir, biography and art history."--Publisher's description.

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