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Harry Potter and the prisoner of Azkaban [sound recording] : original motion picture soundtrack / music composed and conducted by John Williams.

By: Contributor(s): Material type: MusicMusicPublisher number: 83711-2 | NonesuchPublication details: New York, NY : Nonesuch : Manufactured and distributed by Atlantic, p2004.Description: 1 sound disc : digital ; 4 3/4 inUniform titles:
  • Harry Potter and the prisoner of Azkaban (Motion picture)
Subject(s):
Contents:
Lumos! (Hedwig's theme) -- Aunt Marge's waltz -- The knight bus -- Apparition on the train -- Double trouble -- Buckbeak's flight -- A window to the past -- The whomping willow and the snowball fight -- Secrets of the castle -- The portrait gallery -- Hagrid the professor -- Monster books and Boggarts! -- Quidditch, third year -- Lupin's transformation and chasing scabbers -- The patronus light -- The werewolf scene -- Saving Buckbeak -- Forward to time past -- The dementors converge -- Finale -- Mischief managed!
Orchestra; Randy Kerber, celesta; London Voices; London Oratory School Schola; Dufay Collective.
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Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode Item holds
Adult CD Adult CD Main Library CD SOUNDTRACK Harry Potter and the Prisoner of Azkaban Available 33111006351916
Total holds: 0

Enhanced descriptions from Syndetics:

John Williams, when working within the realms of science fiction or fantasy, somehow manages to convey the same level of magic and whimsy inherent in Tchaikovsky's Dance of the Sugar Plum Fairy. For the first two Harry Potter films he employed an instantly memorable theme augmented by a series of elegant yet uninspired action motifs that while effortless were, like the films themselves, merely adequate. Harry Potter and the Prisoner of Azkaban finds the Oscar-winning composer swelled with a creative giddiness that hasn't been present for some time, resulting in a piece of work that's both fully realized and endlessly unpredictable. Beginning with the familiar celesta cue that launches each installment, Williams seems poised to deliver a solid reworking of the previous scores, but that sentiment is abruptly quelled by the jazzy, big-band one-two punch of "Aunt Margie's Waltz" and "The Knight Bus" -- the latter borrows liberally from his outstanding Mancini-esque work on Catch Me If You Can. What follows is an intoxicating fusion of medieval-meets-Rossini-meets-Arvo Pärt mayhem that recalls his Close Encounters of the Third Kind heyday. Director Alfonso Cuaron's youthful enthusiasm has had an effect on Williams, and nowhere is that more apparent than on "Double Trouble," a devious choral piece cleverly built around the prose of Shakespeare's Macbeth and devilishly sung by the London Oratory School Schola Children's Choir. It's this melody, culled from bits and pieces of "Hedwig's Theme" from The Sorcerer's Stone, that permeates the entire score. Williams has a deep understanding of the orchestra, and his love of woodwinds is on glorious display throughout the work's entirety, but they never overplay -- as was often the case in the previous two films -- even the thunderous Kodo-style tympanis that introduce the Hypogriff "Buckbeak" are merely exclamation points announcing the arrival of one of the composer's most beautiful melodies. The Prisoner of Azkaban is thought by many to be the finest book in the series, and it would seem that both the director and the composer agree. Like Cuaron and Rowling, Williams meets his characters -- children especially -- on common ground, allowing them to laugh, suffer, fail, and succeed on their own terms. He may be the author and director's emotional conduit, but he's a master storyteller as well. ~ James Christopher Monger

Enhanced CD.

Lumos! (Hedwig's theme) -- Aunt Marge's waltz -- The knight bus -- Apparition on the train -- Double trouble -- Buckbeak's flight -- A window to the past -- The whomping willow and the snowball fight -- Secrets of the castle -- The portrait gallery -- Hagrid the professor -- Monster books and Boggarts! -- Quidditch, third year -- Lupin's transformation and chasing scabbers -- The patronus light -- The werewolf scene -- Saving Buckbeak -- Forward to time past -- The dementors converge -- Finale -- Mischief managed!

Orchestra; Randy Kerber, celesta; London Voices; London Oratory School Schola; Dufay Collective.

Recorded at Abbey Road Studios, London.

System requirements: PC: Windows 95, 98, ME, NT4, 2000, XP; 200 MHz Pentium (400 MHz recommended); 2x CD-ROM (6x recommended); 32Mb RAM (64Mb recommended); monitor set to thousands of colors (or higher); Macintosh: Mac OS 8.1-10.2.x; 200 MHz PowerPC (300 MHz recommended); 2x CD-ROM (6x recommended); 32Mb RAM (64Mb recommended); monitor set to thousands of colors (or higher).

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