The silence of our friends / written by Mark Long & Jim Demonakos ; art by Nate Powell ; introduction by John Jennings.

Enhanced descriptions from Syndetics:

A New York Times -bestselling graphic novel based on the true story of two families--one white and one black--who find common ground as the civil rights struggle heats up in Texas.

This semi-autobiographical tale is set in 1967. A white family from a notoriously racist neighborhood in the suburbs and a black family from its poorest ward cross Houston's color line, overcoming humiliation, degradation, and violence to win the freedom of five black college students unjustly charged with the murder of a policeman.

The Silence of Our Friends follows events through the point of view of young Mark Long, whose father is a reporter covering the story. Semi-fictionalized, this story has its roots solidly in very real events. With art from the brilliant Nate Powell ( Swallow Me Whole ) bringing the tale to heart-wrenching life, The Silence of Our Friends is a new and important entry in the body of civil rights literature.

Praise for The Silence of Our Friends :

" [A]n engrossing narrative about race in America , while honestly dealing with a host of other real-world issues, including familial relationships, friendship, dependency, "other"-ness, and perhaps most importantly, the search for common ground ." -- Publishers Weekly

"A moving evocation of a tipping point in our country's regrettable history of race relations, Long and Demonakos's story flows perfectly in Eisner and Ignatz Award winner Powell's graceful and vivid yet unpretty black-and-gray wash." -- Library Journal

"[C]onvincingly depicts the systemic racism, blatant and subtle, that suffused and corroded everything during [the] period... [Popwell's] imagery amplifies the effects of the book's multiple perspectives--the overwhelmed kid's-eye view of uneasy family dynamics and open Texas spaces, the hyperkinetic chaos on campus, the cropped literalism of TV newscasts ." -- The New York Times

"Powell uses a mixture of large and small panels along with a variety of frame compositions and points of view to give the book a cinematic realism. From this intimate vantage point, racist incidents are shockingly ugly, while happy domestic moments--as when the kids from both families belt out "Soul Man"--are unself-consciously beautiful . The youthful protagonist and graphic-novel format will plunge readers into a time that can seem very distant. Ideal as a class read, absorbing for solo readers." -- School Library Journal

"Covering a time period of societal unrest from Viet Nam to the assassination of Martin Luther King, Silence uses realistic black-and-white illustrations to convey a subject that is not black and white." -- VOYA