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Portrait of the son : a tale of love / Josephine Nobisso ; illustrated by Theodore Schluenderfritz.

By: Contributor(s): Material type: TextTextSeries: The theological virtues trilogy ; [3]Publisher: Westhampton Beach : Gingerbread House, [2021]Description: 1 volume (unpaged) : color illustrations ; 30 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780940112988
  • 0940112981
  • 9780940112995
  • 094011299X
Subject(s): Genre/Form: Summary: "An allegory about The Holy Trinity, the role of Mary of Nazareth in Their divine designs, and the meaning of the acceptance of Jesus Christ as the center of one's life. The richest man with the best art collection in the world shares his consuming interest with his superlatively good son, who is ably assisted in his beneficence by their Kindly female estate keeper, who is more than mother to him. The son is called to war, and dies saving his comrades, mirroring the redemptive action of Christ's sacrifice for humanity. The father grieves his son, but is heartened when the estate keeper wheels in the chair of a wounded soldier from the foreign war. The young man presents the father with a portrait depicting the suffering son. As the soldier relates to the father all the insights the son has revealed about the art collection, which actually represents the created world, and especially, his great love for human beings, the pieces are transformed with potential and possibility for restoration to their intended ideal. The father decides to offer his art at auction, but stipulates that the first piece to be on the auction block is to be the portrait of the son. None of the learned bidders condescend to bid on the portrait, but a poor old man who had often been the recipient of the fathers and son's beneficence bids on it and wins. The auctioneer ends the auction, informing the irked would-be bidders that, according go the wishes of the father, the person who takes the portrait of his son wins his entire, vast collection"-- Provided by publisher.
Holdings
Item type Home library Collection Shelving location Call number Materials specified Status Date due Barcode Item holds
Children's Book Children's Book Main Library Children's Picturebook Manners & Character NOBISSO JOSEPHIN Available 33111010940399
Total holds: 0

Enhanced descriptions from Syndetics:

Here is a Christian allegorical story that treats of superlatives. The richest man in the world, with the most varied and treasured art collection in existence, begets the most wonderful son who, like himself, loves and appreciates every creation they possess. They relish entering the very worlds of their seascapes, landscapes, cityscapes and even abstract forms, but, most of al, they cherish their portraits, sharing in the very lives of their subjects. Under the father's solicitous eye, and with their motherly estate keeper's assistance, the exceptional son grows in wisdom and stature, extending his wealth to whomever wants it. What becomes of this son? And what later becomes of the treasures when the father decides to offer his immensely vast collection at auction? What superlative will be the most superlative of all? The man who wins the auction for the Portrait of the Son is in for the surprise of his life, and the would-be bidders witness a miracle of conversion. This is the long-awaited third volume in a trilogy of The Theological Virtues--faith, hope, and love--which began with THE WEIGHT OF A MASS, A Tale of Faith, and TAKE IT TO THE QUEEN, A Tale of Hope. Printed on the front and back underflaps are theological insights into the text and art of this story for all ages, for the true protagonists are the Persons of the Holy Trinity, the seen and unseen world of Creation, and the Blessed Virgin Mary.

Ages 7-12. Gingerbread House.

Grades 2-3. Gingerbread House.

"An allegory about The Holy Trinity, the role of Mary of Nazareth in Their divine designs, and the meaning of the acceptance of Jesus Christ as the center of one's life. The richest man with the best art collection in the world shares his consuming interest with his superlatively good son, who is ably assisted in his beneficence by their Kindly female estate keeper, who is more than mother to him. The son is called to war, and dies saving his comrades, mirroring the redemptive action of Christ's sacrifice for humanity. The father grieves his son, but is heartened when the estate keeper wheels in the chair of a wounded soldier from the foreign war. The young man presents the father with a portrait depicting the suffering son. As the soldier relates to the father all the insights the son has revealed about the art collection, which actually represents the created world, and especially, his great love for human beings, the pieces are transformed with potential and possibility for restoration to their intended ideal. The father decides to offer his art at auction, but stipulates that the first piece to be on the auction block is to be the portrait of the son. None of the learned bidders condescend to bid on the portrait, but a poor old man who had often been the recipient of the fathers and son's beneficence bids on it and wins. The auctioneer ends the auction, informing the irked would-be bidders that, according go the wishes of the father, the person who takes the portrait of his son wins his entire, vast collection"-- Provided by publisher.

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